Wilhelm Worringer Livres

Wilhelm Worringer s landmark study in the interpretation of modern art, first published in 1908, has seldom been out of print. Its profound impact not only on art historians and theorists but also for generations of creative writers and intellectuals is almost unprecedented. Starting from the notion that beauty derives from our sense of being able to identify with an object, Worringer argues that representational art produces satisfaction from our objectified delight in the self, reflecting a confidence in the world as it is as in Renaissance art. By contrast, the urge to abstraction, as exemplified by Egyptian, Byzantine, primitive, or modern expressionist art, articulates a totally different response to the world: it expresses man s insecurity. Thus in historical periods of anxiety and uncertainty, man seeks to abstract objects from their unpredictable state and transform them into absolute, transcendental forms. Abstraction and Empathy also has a sociological dimension, in that the urge to create fixed, abstract, and geometric forms is a response to the modern experience of industrialization and the sense that individual identity is threatened by a hostile mass society. Hilton Kramer s introduction considers the influence of Worringer s thesis and places his book in historical context."

Po více než dvaceti letech vychází nový překlad klasického teoretického spisu o umění z roku 1908, který výrazně ovlivnil například českou předválečnou, zejména kubistickou avantgardu. Autor v něm aplikoval psychologický pojem vcítění na dějiny slohů.

Die Geschichte der altdeutschen Buchillustration wird umfassend behandelt, beginnend mit ihren Anfängen im späten 15. Jahrhundert. Wilhelm Worringer analysiert die bedeutende Entwicklung dieser Kunstform über die Jahre und Jahrzehnte hinweg. Zahlreiche Illustrationen aus verschiedenen künstlerischen Richtungen veranschaulichen die behandelten Themen und bieten einen tiefen Einblick in die evolutionären Schritte der Buchkunst in Deutschland.