This memoir offers a rare insight into everyday life during the first year of the reform movement that created the China of the twenty-first century. The book interweaves personal encounters with records of the democracy movement in Shanghai, revealing a vast outpouring of grievances by ordinary people at a time of dramatic social change.
Anne E. McLaren Livres



Memory Making in Folk Epics of China
The Intimate and the Local in Chinese Regional Culture
- 346pages
- 13 heures de lecture
Focusing on the folk epics of the Han Chinese, this study explores how these narratives shaped regional identities in pre-contemporary China. It highlights the significance of local culture, particularly among rice-growing communities, in understanding their relationship with the environment and social dynamics. As the first comprehensive examination of its kind in the West, it offers valuable insights into the cultural fabric of the majority population and the role of storytelling in fostering a sense of place and identity.
In 1967 a body of Chinese texts was discovered in a tomb outside Shanghai. It contained a set of unique examples of an oral genre favoured by unlearned classes in the late imperial period (15th century), best called 'chantefables', appearing at the beginning of a profound historical shift which resulted in a broadening of the uses of writing and printing in China. These texts are now generally seen to occupy an important place in the development of Chinese literature as a whole, and of Chinese vernacular literature in particular. In the first monographic treatment of all the chantefable corpus in English the author, by examination from a more anthropological view, points out that these 'oral traditional texts' can only be appreciated in the festival, ritual and performative context of their derivation and reception. Topics dealt with in this important work include the popular interpretation of Confucian orthodoxies, the literary recycling of the oral tradition, and the influence of chantefables on the development of Chinese vernacular fiction. The author offers interesting comparative perspective on the different social consequences of print technology in China and the West. Illustrations of ten chantefable woodblocks are included.