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Heinrich Wölfflin

    21 juin 1864 – 19 juillet 1945

    Heinrich Wölfflin fut un historien de l'art suisse dont les principes de classification objectifs, tels que la distinction entre le "pictural" et le "linéaire", ont profondément influencé l'analyse formelle en histoire de l'art au début du XXe siècle. Il enseigna à Bâle, Berlin et Munich, appartenant à la génération qui éleva l'histoire de l'art allemande à un rang de prééminence. Ses trois ouvrages majeurs, encore consultés aujourd'hui, examinent les transitions stylistiques de la Renaissance au Baroque et établissent des concepts fondamentaux pour l'appréhension de l'art.

    Heinrich Wölfflin
    Renessans i barokko
    Classic Art
    The Art of the Italian Renaissance
    Landmarks in Art History: Classic Art
    Principles of Art History
    Principes Fondamentaux de L'Histoire de L'Art
    • Features a crystalline fresh translation of art works - published on its one- hundredth anniversary. In this volume the introductory essays provides a historical framework and referencing debates engendered by principles in the twentieth century. It also includes translations of the prefaces and afterword.

      Principles of Art History
      4,2
    • Landmarks in Art History: Classic Art

      An Introduction to the Italian Renaissance

      • 302pages
      • 11 heures de lecture

      Heinrich Wolfflin was a pioneering critic who introduced new and rigorous methods of formal analysis into the study of art. Classic Art, first published in 1899, is itself a classic that has exercised a profound influence on the way people have looked at and thought about art. As an appraisal of the great artists of the Renaissance it can hardly be surpassed. Once again available in its elegant original format, it is an indispensable addition to every library of art books.

      Landmarks in Art History: Classic Art
      3,7
    • Excerpt from Prolegomena zu Einer Psychologie der Inaugural-DissertationVorrede I. Psychologische Grundlagen II. Der Gegenstand der Architektur III. Die Momente der Form IV. Charakteristik der Proportionen V. Charakteristik der horizontalen Gliederung VI. Charakteristik der vertikalen Gliederung VII. Das Ornament VIII. Prinzipien der historischen Beurteilung. Die Idee einer Psychologie als Organons.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

      Prolegomena zu einer Psychologie der Architektur
      4,4