Anna Banti Livres

Artemisia Gentileschi, born in 1598, the daughter of an esteemed painter, taught art in Naples and painted the great women of Roman and biblical history. She could neither read nor write, and she was the reviled victim in a public rape trial, rejected by her father, and later abandoned by her husband. Nevertheless, she was one of the first women in modern times to uphold through her work and deeds the right of women to pursue careers compatible with their talents and on an equal footing with men. This edition features a new introduction by the celebrated critic and writer Susan Sontag. Anna Banti, the pen name of Lucia Lopresti, was born in Florence in 1895. Trained as an art historian, she turned to novels, stories, and autobiographical prose in the 1930s. Artemisia , her second novel, published in 1947, is the most acclaimed of the sixteen works of fiction she published during her long life, and is considered a classic of twentieth century Italian literature. Her last, harrowingly confessional novel, A Piercing Cry ( Un grido lacerante ), appeared in 1981. Banti also wrote art criticism and monographs on painters (Lorenzo Lotto, Fra Angelico, Velázquez, Monet), literary criticism and film reviews, and translated novels by Thackery, Colette, Alain Fournier, and Virginia Woolf. She died in Ronchi di Massa (Tuscanny) in 1985.

Cinque racconti mettono in luce il talento di Anna Banti attraverso vari generi: narrativa, fantascienza, romanzo storico e giallo.

Von feministischer Bekenntnisprosa ebenso weit entfernt wie von betulicher Rührseligkeit, entwirft Anna Banti eigenwillige Frauengestalten, die mit Zähigkeit, Widerbortigkeit und nicht geringer Schläue das Schicksal in die eigenen Hand nehmen - sei es das venezianische Findelkind des 16. Jahrhunderts, das weiß, daß es dem Meister Vivaldi sehr wohl das Wasser reichen könnte, sei es die mittelalterliche Ätissin, die das Kloster als Freiraum begreift, sei es die Tochter aus gutem Hause die ihre Freiheit bei den Randexistenzen der Gesellschaft findet. Die Erzählungen der vorliegenden Auswahl, die in der Zeit von den vierziger Jahren bis in die letzten Jahre vor Anna Bantis Tod entstanden sind, bieten einen Querschnitt durch ein Werk, das inzwischen unbestritten als"Höhepunkt moderner italienischer Prosa" gilt.