Stinson explores Bach's 'Great Eighteen' Organ Chorales - among Bach's most celebrated works for organ - from a wide range of historical and analytical perspectives, including the models used by Bach in conceiving the individual pieces, his subsequent compilation of these works into a collection, and his compositional process.
Volume one contains essays by David Schulenberg, Russell Stinson, Michael Marissen, Eric Chafe, Stephen Crist, and James Brokaw.
Journey with Russell Lyon through the fascinating story of the Society of Horsemen, the secret group of strange gifted men who traditionally ruled the world of the stables. Discover a culture stranger than fiction, where a stable-boy could be asked to shake hands with the devil through a wall, and the sign of power would float upstream.
Surveillance is everywhere today, generating data about our purchasing, political, and personal preferences. This book shows how surveillance makes people visible and affects their lives, considers the technologies involved and how it grew to its present size and prevalence, and explores the pressing ethical questions surrounding it.
In J. S. Bach at His Royal Instrument, author Russell Stinson delves into various unexplored aspects of the organ works of Johann Sebastian Bach. Drawing on previous research and new archival sources, he sheds light on many of the most mysterious aspects of these masterpieces, and their reception, and shows how they have remained a fixture of Western culture for nearly three hundred years.
In this penetrating study, Russell Stinson considers how four of the greatest composers of the nineteenth century-Felix Mendelssohn, Robert Schumann, Franz Liszt, and Johannes Brahms-responded to the model of Bach's organ music. His book represents a major step forward in the literature on the so-called Bach revival.
This is the first book-length study of the Orgelbüchlein. Aimed at a broad readership of performers, scholars, and listeners, this lucid and absorbing book examines the collection from a wide range of historical and analytical perspectives. Stinson begins by discussing Bach's reasons for compiling the Orgelbüchlein set and his original plans to create a comprehensive hymnal consisting of 164 chorales. The second chapter examines Bach's compositional process in this work - an issue largely untouched by previous commentary - and leads into a consideration of the music in its historical context, with attention to each of the three main types of chorale found in the collection: the melody chorale, the ornamental chorale, and the chorale canon. At the center of the book are three chapters surveying the forty-six individual compositions that make up the Orgelbüchlein. Here Stinson illuminates the structure of each piece and traces Bach's concept of the organ chorale as it evolved through the composition of the early, middle, and late pieces found in the set. The book concludes with a discussion of the work's hitherto unexplored reception history, from the eighteenth century to the present day.