Elizabeth Peters Livres

Sur la pente en contrebas se tenait la Chose sans Nom, immobile et livide à la clarté des étoiles. La pleine lune projetait sur elle une lumière sans ombre. Il n'y avait pas à s'y tromper : c'était bien elle. Je discernais presque le motif des bandelettes qui enserraient sa poitrine. Sa tête, informe, était enveloppée d'une sorte de linceul. La vue seule de ce monstre au repos avait de quoi faire frissonner mais lorsqu'il se retourna sans hâte, inexorablement, j'eus le plus grand mal à dompter ma terreur. C'était comme une créature marine sans regard et sans yeux, surgie du fond de l'abîme et qui cherchait sa proie. L'indomptable Amelia Peabody, qui fait ici ses premiers pas sur la Terre des Dieux, se laissera-t-elle abuser par les facéties d'une momie somnambule ? Saura-t-elle soustraire sa protégée aux entreprises d'un chasseur de dot cynique et langoureux ? Parviendra-t-elle à déjouer les roueries des indigènes ou à surmonter les mirages des sables et à dissiper les mystères qui jalonnent sa route, en digne émule de Sherlock Holmes et d'Indiana Jones ?

"C'était bien l'intention de sir Henry de poursuivre ses fouilles à Louxor jusqu'aux fondations de l'édifice pour s'assurer que la sépulture n'avait pas été découverte lors de la précédente expédition. Et de fait, à peine les ouvriers s'étaient-ils mis à l'œuvre, que leurs pelles dégagèrent la première marche d'un escalier taillé dans le roc. Le Times en fit un compte rendu détaillé en page trois. La dépêche suivante, en provenance de Louxor, eut droit en revanche à un gros titre en première page. Sir Henry Baskerville était allé se coucher la veille en pleine santé. On l'avait retrouvé le lendemain matin dans son lit, rigide et sans vie, le visage déformé par l'épouvante. Sur son front, on reconnaissait, grossièrement dessiné avec du sang, un uræus, le cobra sacré des anciens Egyptiens, le symbole divin des pharaons." Une fois encore, l'impavide Amelia Peabody, son mari, l'éminent égyptologue Radcliffe Emerson, et leur fantasque rejeton, le jeune Ramsès, devront affronter le mystère et conjurer la malédiction des pharaons.

A Great War has ended, but evil still casts a long shadow over a violence-scarred land. One woman -- an adventurer and archaeologist with a brilliant mind -- must now confront a dreadful adversary more fiendish and formidable than any she has ever encountered. But by doing so, she may be feeding the flames of a devastating firestorm that threatens the fragile lives of the tender and innocent.

1914 finds archaelogists Amelia Peabody, narrator, and husband Radcliffe Emerson back in Egypt for another dig, despite civil unrest. Defiantly pacifist son Ramses hides his spy activity with cousin David. He rescues Molly, and his dazzling smile conquers yet another female. An artifact from Giza confirms the return of archnemesis Sethos.

In the newest "Amelia Peabody Mystery", the intrepid Egyptologist risks life, limb, and her second-best hat in 1915 Cairo. Amelia and her handsome archeologist husband defy German submarines and warring Senussi to embark on another season of exploration and crime solving. Endpaper maps

Amelia and family have arrived in Egypt for the 1911 archeological season -- after the marriage of young Ramses' best friend David to Amelia's niece Lia. But trouble finds them immediately when David is accused of selling ancient artifacts. While Amelia and company try to clear his name and expose the real culprit, the body of an American is found at the bottom of their excavation shaft. As accusations of drug dealing and moral misconduct fly, a child of mysterious antecedents sparks a crisis that threatens to tear the family apart. Amelia brings her brilliant powers of deduction to bear, but someone is shooting bullets at her -- and coming awfully close!

The Ape Who Guards the Balance begins in 1907 in England where Amelia is attending a suffragettes' rally outside the home of Mr. Geoffrey Romer of the House of Commons. It seems Romer is one of the few remaining private collectors of Egyptian antiquities, and a series of bizarre events at the protest soon embroil Amelia in grave personal danger. Suspecting that the Master Criminal, Sethos, is behind their problems, the Emerson Peabody's hasten to Egypt to continue their studies in the Valley of Kings where they soon acquire a papyrus of the Book of the Dead. As with past seasons, however, their archaeological expedition is interrupted. The murdered body of a woman is found in the Nile. Ramses, Radcliffe, and Amelia all have their theories as to the origin of the crime, but their own lives might soon be at stake if the cult of Thoth and their ancient book is, indeed, involved.

Set in the autumn of 1921, the Emerson family embarks on an archaeological expedition in Egypt, returning to the Valley of the Kings after the war. However, the mysterious death of a colleague raises questions for Amelia Peabody. She becomes determined to uncover whether it was a curse or if there are other sinister forces at play. The story intertwines adventure, intrigue, and the allure of ancient mysteries.

In 1922, as her husband Radcliffe Emerson unsuccessfully tries to persuade his rival Howard Carter to turn over digging rights in the Valley of the Kings to him, Amelia Peabody and her family head for Luxor to search for the long-lost tomb of King Tut

An assistant curator of Munich's National Museum, Vicky Bliss is no expert on Egypt, but she does have a Ph.D. in solving crimes. So when an intelligence agency offers her a luxury Nile cruise if she'll help solve a murder and stop a heist of Egyptian antiquities, all 5'11" of her takes the plunge. Vicky suspects the authorities really want her to lead them to her missing lover, the art thief and master of disguises she knows only as "Sir John Smythe." And right in the shadow of the Sphinx she spots him. . . with his new flame. Vicky is so furious at this romantic stab-in-the-back, not to mention the sudden arrival of her meddling boss, Herr Dr. Schmidt, that she may overlook a danger as old as the pharaohs and as unchanging. . . a criminal who hides behind a mask of charm while moving in for the kill.