Barry Bergdoll Livres

Published to accompany the exhibition held at the Museum of Modern Art, New York, 28 Sept. 2010-3 Jan. 2011.

Marcel Breuer (1902-1981) is celebrated as a furniture designer, teacher, and architect who changed the American house after his emigration from Hungary to the U.S.A. in 1937. More recently historians, architects, and-with the reopening in New York of the great megalith of his Whitney Museum as the Met Breuer-a larger public are gaining new insights into the cities and large- scale buildings Breuer planned. Often seen as a pioneer of a Brutalist modernism of reinforced concrete, Breuer might best be understood through the lens of the changing institutional structures in and for which he worked, a vantage developed in the fresh approaches gathered here in essays by a group of younger scholars. These essays draw on an abundance of newly available documents held in the Breuer Archive at Syracuse University, now accessible online.

"The great German neoclassical architect Karl Friedrich Schinkel (1781-1841) is one of the pivotal figures in architectural history; his public buildings, palaces, luxurious interiors, and opera sets remain an important influence on architecture today. Schinkel produced almost all of his most famous works -- in effect, creating prototypes for nineteenth century public architecture -- during his 1815-41 tenure at the Prussian state architectural service. During this period, often referred to as the Schinkelzeit in his honor, the monarchy under King Friedrich Wilhelm III and enlightened state administrators came together to form a grand and powerful new Prussia. This first monograph in English gives a long-awaited appraisal of Schinkel as he forged a new syntax of architecture and a new definition of the architect's place in society"-- Front flap

This comprehensive examination of 18th and 19th-century architecture explores its extreme diversity within the context of social, economic and political upheaval. It offers an analysis of the ways issues of style functioned to make architecture one of the most experimental art forms in the period. schovat popis

Henri Labrouste is one of the few nineteenth-century architects consistently lionized as a precursor of modern architecture throughout the twentieth century and into our own time. The two magisterial glass-and-iron reading rooms he built in Paris gave form to the idea of the modern library as a collective civic space. His influence was both immediate and long-lasting, not only on the development of the modern library but also on the exploration of new paradigms of space, materials and luminosity in places of great public assembly. Published to accompany the first exhibition devoted to Labrouste in the United States--and the first anywhere in the world in nearly 40 years--this publication presents nearly 225 works in all media, including drawings, watercolors, vintage and modern photographs, film stills and architectural models. Essays by a range of international architecture scholars explore Labrouste's work and legacy through a variety of approaches.

A monograph on the work of three generations of architects, a determining factor in the dynamic transformation of Mexico

Architectural collections are warehouses of knowledge: they are resources for historical plans and buildings, and they offer insight and ideas for the designs of tomorrow. However, in the age of computer-aided design, the sketches, plans and models that were once available for research and exhibitions are being replaced by bits and bytes on a variety of storage media whose lifetimes have no guaranteed length. How will that change the profile of a classic architectural collection in the time to come? How will the history of architecture be written in the future, and how will exhibitions be presented? The Architekturmuseum at the Technical University in Munich has one of the largest special collections of architecture in Europe. This publication presents its complex history while placing it in the context of other prominent international collections. Selected examples are used to discuss questions about collecting, research and the exhibition of architecture in the future.