William Golding Livres

Soit un groupe d'enfants, de six à treize ans, que l'on isole sur une île déserte. Qu'advient-il d'eux après quelques mois ? William Golding tente l'expérience. Après les excitantes excursions et parties de baignade, il faut s'organiser pour survivre. C'est au moins la réflexion de Ralph, celui qui fut élu chef au temps heureux des commencements, et du fidèle Piggy. Mais c'est ce que refusent de comprendre Jack, le second aspirant au "trône", et les siens. Cette première division clanique n'est pas loin de reproduire un schéma social ancestral. S'ensuivent des comportements qui boudent peu à peu la civilisation et à travers lesquels les rituels immémoriaux le disputent à une sauvagerie d'une violence sans limite. Dès Sa Majesté des Mouches (1954), porté à l'écran par Peter Brook (1963), apparaît l'obsession de William Golding : l'homme est foncièrement mauvais. Le monde est porteur d'une cruauté sans faille dans laquelle chacun se fourvoie et finit par périr, comme il l'illustre plus tard dans Les Héritiers ou Parade sauvage. L'écrivain reçut le prix Nobel de littérature en 1983. --Laure Anciel

As spring arrives, the remaining people return from the sea, but they encounter terrifying and unprecedented events. Unbeknownst to them, their time as a people is already coming to an end.

A Moving Target is a collection of essays and lectures written by William Golding. It was first published in 1982 by Faber and Faber but subsequent reprints included Golding's Nobel Prize lecture which he gave after being awarded the honour in 1983.The book is divided into the two sections of "Places" and "Ideas".

The story begins with a plane crash that leaves a group of children stranded on a deserted island, initially leading to innocent play and exploration. However, as time passes, their games take a dark turn, revealing the underlying savagery and primal instincts that emerge in the absence of adult supervision. The narrative explores themes of civilization versus savagery, the loss of innocence, and the inherent darkness within humanity.

This novel completes Golding's trilogy, begun with "Rites of Passage" and continued with "Close Quarters". The author won the Booker Prize for "Rites of Passage" and was awarded the Nobel prize for literature in 1983.

The classic Golding novel republished with a beautiful new jacket.

Sea novels set in the early nineteenth century.__

In a wilderness of heat, stillness and sea mists, a ball is held on a ship becalmed halfway to Australia. In this surreal, fecirc;te-like atmosphere the passengers dance and flirt, while beneath them thickets of weed like green hair spread over the hull. The sequel to Rites of Passage, Close Quarters, the second volume in Golding's acclaimed sea trilogy, is imbued with his extraordinary sense of menace. Half-mad with fear, with drink, with love and opium, everyone on this leaky, unsound hulk is 'going to pieces'. And in a nightmarish climax the very planks seem to twist themselves alive as the ship begins to come apart at the seams.

A short novel, left in draft form when the author died suddenly in 1993. Portraying a woman's experience - something rare in Golding's oeuvre - the story features one of his finest creations, Arieka the Pythia.

"I was standing up, pressed back against the wall, trying not to breathe. I got there in the one movement my body made. My body had many hairs on legs and belly and chest and head, and each had its own life; each inherited a hundred thousand years of loathing and fear for things that scuttle or slide or crawl." from Free Fall Sammy Mountjoy, artist, rises from poverty and an obscure birth to see his pictures hung in the Tate Gallery. Swept into World War II, he is taken as a prisoner-of-war, threatened with torture, then locked in a cell of total darkness to wait. He emerges from his cell like Lazarus from the tomb, seeing infinity in a grain of sand and eternity in an hour. Transfigured by his ordeal, he begins to realize what man can be and what he has gradually made of himself through his own choices. He determines to find the exact point at which the accumulated weight of those choices has deprived him of free will.