Total serialism as a concept, has progressed beyond the twelve-tone technique of composers Schoenberg and Webern, and since the 1950s it has been constantly developed. Today, it refers to far more than just a technical process for composing, rather it offers one possibility of creatively integrating knowledge on man and nature into works of art. On all levels of artificial, man-made creations - from musical compositions to architectonic designs - it allows properties and dimensions to be systematically organised, with criteria such as mass and proportions playing decisive roles. Markus Bandur (born in 1960) studied science of music, philosophy and history and now teaches at the universities of Freiburg i. Br, Berne and Kassel
Markus Bandur Livres





Toru Takemitsu
Globalisiertes Komponieren
Error: You exceeded your current quota, please check your plan and billing details. For more information on this error, read the docs: https://platform.openai.com/docs/guides/error-codes/api-errors.
2011 hatte die Hochschule für Musik Carl Maria von Weber in Dresden zu einem Internationalen Symposion unter der Überschrift „Carl Maria von Weber und das Virtuosentum seiner Zeit“ eingeladen. Unter drei thematischen Schwerpunkten widmeten sich die Referent(inn)en einerseits allgemein „Aspekten des Virtuosentum des 19. Jahrhunderts“, andererseits speziell „Carl Maria von Weber und den Anfängen eines Virtuosen-Konzertbetriebs“ sowie darüber hinaus den „Zeitgenossen Webers im System des Virtuosen-Konzertbetriebs“.