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Gerhard Kubik

    10 décembre 1934

    Gerhard Kubik est un ethnologue et musicologue autrichien dont le travail explore les liens complexes entre la musique, la culture et la société. Sa formation académique en ethnologie, musicologie et langues africaines a jeté les bases de ses recherches approfondies. Les contributions savantes de Kubik ont éclairé les diverses traditions musicales et leurs rôles sociaux dans différentes cultures. Ses recherches plongent dans l'essence de l'expression musicale en tant que composante vitale de l'expérience humaine.

    Angola in the Black Cultural Expressions of Brazil
    Jazz Transatlantic, Volume II
    Africa and the Blues
    Jazz Transatlantic, Volume I
    Tusona - Luchazi ideographs
    Extensions of African Cultures in Brazil
    • Extensions of African Cultures in Brazil

      • 228pages
      • 8 heures de lecture
      5,0(1)Évaluer

      The exploration of Brazil's cultural heritage reveals a deep connection to West and Central African cultures, as examined by ethnomusicologist Gerhard Kubik. His extensive research in Brazil highlights the influence of African phenomena in language, music, religion, and social organization, offering fresh perspectives on the formation of new cultures across the Atlantic. Kubik's engaging writing makes this work a pivotal contribution to the study of Afro-Latin and African diaspora cultures, establishing it as a key reference for future inquiries in this field.

      Extensions of African Cultures in Brazil
    • Various graphic systems designed to express and transmit ideas or to convey messages were known in sub-Saharan Africa in pre-colonial times, ideographic and pictographic systems. One of the most intriguing of these traditions, known across eastern Angola into northwestern Zambia, among speakers of Luchazi, Chokwe, Lwena and related languages is the tusona ideographs. This work is a fascinating excursion into symbolism, the remote history of eastern Angola, Luchazi oral literature, mathematics, graphic art and communication.

      Tusona - Luchazi ideographs
    • Jazz Transatlantic, Volume I

      The African Undercurrent in Twentieth-Century Jazz Culture

      • 456pages
      • 16 heures de lecture
      4,0(1)Évaluer

      Recognized as an Outstanding Academic Title in 2018, this book offers an in-depth exploration of its subject, combining rigorous research with accessible writing. It delves into key themes, presenting a well-rounded analysis that is both informative and engaging. Ideal for scholars and general readers alike, it provides valuable insights and perspectives that contribute significantly to its field. The work stands out for its clarity and thoroughness, making it a noteworthy addition to academic literature.

      Jazz Transatlantic, Volume I
    • Africa and the Blues

      • 264pages
      • 10 heures de lecture
      4,1(36)Évaluer

      The book delves into the African roots of American Blues, presenting a well-researched narrative that balances scholarly insight with accessibility for general readers. Professor Gerhard Kubik intricately examines how African musical traditions influenced the development of Blues, offering a compelling exploration of cultural heritage and musical evolution.

      Africa and the Blues
    • Jazz Transatlantic, Volume II

      Jazz Derivatives and Developments in Twentieth-Century Africa

      • 292pages
      • 11 heures de lecture

      Recognized as an Outstanding Academic Title in 2018, this book offers a comprehensive exploration of its subject matter, blending rigorous research with accessible writing. It delves into significant themes and presents a nuanced analysis, making it an essential resource for scholars and students alike. The author’s expertise shines through, providing readers with valuable insights and fostering a deeper understanding of the topic. This work stands out for its scholarly contribution and relevance in academic discussions.

      Jazz Transatlantic, Volume II
    • Focusing on the evolution of African music and dance, the book explores how these cultural forms continuously transformed within various African societies before their transplantation to the Americas. Gerhard Kubik, a prominent ethnomusicologist, argues against viewing African diaspora music solely as remnants of the past, emphasizing its dynamic nature as a creative extension of African traditions. Through field research and documentation, he highlights the Angolan influence on Brazilian music and discusses broader methodologies relevant to African diaspora cultural studies.

      Angola in the Black Cultural Expressions of Brazil
    • Offers an account of the music of Africa. This book describes and examines xylophone playing in southern Uganda and harp music from the Central African Republic; compares multi-part singing from across the continent; and explores movement and sound in eastern Angola. It also includes a cognitive study of African rhythm and Yoruba chantefables.

      Theory of African Music
    • Das Buch dokumentiert die Aufzeichnungen von Maria Kubik über die Luftangriffe auf Wien zwischen 1942 und 1945, verfasst von ihrem Sohn Gerhard Kubik als Kind. Es bietet wissenschaftliche Analysen und persönliche Einschätzungen zu den Ängsten und Erinnerungen des Autors sowie zur NS-Zeit und deren traumatischen Folgen.

      Luftangriffe auf Wien 1944-1945