Charles Ives Livres

A primary source book on Charles E. Ives, this volume presents most of the previously unpublished writings of the American composer. These "memos", as Ives called them, dealt with his music, composition, criticism, autobiography, biography and other topics. During his lifetime Ives rearranged them, lent them out, mislaid and tucked them away in books so that, in the late 1940s, only about three-fifths of them were available to his biographer. After his death in 1954, Ives's papers were gradually put in order and here have been arranged into three sections, edited and annotated by John Kirkpatrick. Part One, "Pretext", sets forth Ives's aims, his views on music, critics and criticism. In part Two, "Scrapbook", Ives discusses his music. Part Three, "Memories", is devoted to biographical and autobiographical remembrances.

Ives's second piano sonata, Concord, Mass., 1845 , stands among the masterpieces of American music. The Essays Before a Sonata was conceived by Ives as a preface of sorts to the composition. Ives's musings also explore the nature of music, discuss the source of a composer's impulses and inspiration, and offer some biting comments on celebrated masters. The writings in this collection―now featuring a comprehensive index-allow readers entry into the brilliant mind that produced some of America's most innovative musical works.

(Peermusic Classical). This is the first volume of songs by Charles Ives designed expressly for the young singer. Ives famously asked "Must a song always be a song?" His songs are often miniature dramas, and suggest the visual as much as the auditory. Singers and pianists alike are encouraged to be proactive, and imagine they are actors, or painters, or enter the creative process in some other way. Contents include: 1. Autumn, 2. The Cage, 3. The Circus Band, 4. Down East, 5. Her Eyes, 6. In the Alley, 7. Memories, 8. Nature's Way, 9. The Side Show, 10. There is a lane, 11. The Things Our Fathers Loved, 12. The Waiting Soul

(Peermusic Classical). This is the first volume of songs by Charles Ives designed expressly for the young singer. Ives famously asked "Must a song always be a song?" His songs are often miniature dramas, and suggest the visual as much as the auditory. Singers and pianists alike are encouraged to be proactive, and imagine they are actors, or painters, or enter the creative process in some other way. Contents include: 1. Autumn, 2. The Cage, 3. The Circus Band, 4. Down East, 5. Her Eyes, 6. In the Alley, 7. Memories, 8. Nature's Way, 9. The Side Show, 10. There is a lane, 11. The Things Our Fathers Loved, 12. The Waiting Soul

(Full Score). This new performance score seeks to address every quantifiable performance problem confronting conductors and performs of the Ives Fourth Symphony. Here, for the first time, difficulties that have bedeviled interpreters of the score in the past are addressed, and the new issues unearthed in the recently published Critical Edition score are harnessed and accounted for.

Set in the picturesque Nassau and the Bahamas, this reprint captures the essence of the region as it was in 1880. The book offers a vivid portrayal of the islands' landscapes, culture, and lifestyle, providing readers with a historical glimpse into the past. Its unchanged format preserves the original text, making it a valuable resource for those interested in the history and charm of these tropical locales.

Focusing on the preservation of cultural heritage, this reprint from Antigonos publishing house offers a historical work in excellent condition. The publication aims to make significant historical texts accessible to the public, ensuring that important literature remains available for future generations.