A. Robert Lauer Livres

SUMARIO Emilie L. Bergmann: Family Routes in Cervantes — Catalina Buezo: Ambigüedad, alegoría y tiempo histórico en La Numancia cervantina — Frank P. Casa: Don Quijote’s Recantation — Anthony Cascardi: Cervantes‘ Two Hands — Catherine Connor Swietlicki: Seeing Like Sancho: Embodiment, Cognition and Cervantine Creativity. — Bryant Creel: Palace of the Apes: The Ducal Chateau and Cervantes’ Repudiation of Satiric Malice — Manuel Delgado: El itinerario moral de Cristóbal de Lugo en El rufián dichoso — Darío Fernández-Morera: Cervantes and Islam. A Contemporary Analogy — Edward H. Friedman: Discourses on Spain: Gerald Brenan and Cervantes — Aurelio González: El poder del encanto: de los molinos de viento al Retablo de las maravillas'. — Margaret R. Greer: Diana, Venus and Borrowed Dogs: On Hunting in Don Quixote — Carmen Hsu: “La fuerza de la hermosura”: The Courtesan Character in La tía fingida — Steve Hutchinson: Luciano, precursor de Cervantes — Lola Josa: Cervantes: Poeta de su tierra — Thomas A. Lathrop: The Mysterious Missing Title of Chapter 43, of Don Quixote, Part I — María Luisa Lobato: Morfología del entremés de burlas cervantino — Ann L. Mackenzie: Cervantes’s Exemplary Novel Converted for the Stage: El celoso extremeño as Dramatized by Antonio Coello — Jesús G. Maestro: Cervantes y Milton: hacia una nueva expresión de la experiencia trágica' — Howard Mancing: Don Quixote: Coming to America — Diego Martínez Torrón: John Bowle y el cervantismo español — Joseph V. Ricapito: Cervantes y la consciencia: “Yo sé quien soy”, El caballero de los leones y Ricote el Moro — Lygia Rodrigues Vianna Peres: El Quijote y el teatro de la memoria de Giulio Camillo — Matthew D. Stroud: Infallible Texts and Righteous Interpretations: Don Quijote and Religious Fundamentalism — José Luis Suárez: Pragmática de la escritura imaginativa: el legado de la información y el problema de las encrucijadas en el Quijote

A collection of essays written by prominent Golden Age Hispanists from the US, Canada, Spain, and Mexico, in honor of one of the most important Comedia scholars in North America. Contains representative essays on the early drama and prose of Renaissance Spain, works on canonical texts by 17th-century dramatists such as Lope de Vega and Moreto, and articles on subjects including new socio- cultural theories of the Baroque, performance and documentation studies, and new thematic approaches to the Siglo de Oro. Some essays are in Spanish and some are in English. No index. Annotation copyrighted by Book News, Inc., Portland, OR