Judith J. Thompson Livres

This book identifies a recurrent structural pattern in Tennessee Williams’ plays that lends organic integrity to their evocations of memory, myth, and symbol. Judith J. Thompson examines the evolution of a pattern of mythic recollection and existential reenactment in seventeen Williams plays – from its most successful realization in The Glass Menagerie through The Night of the Iguana to its parody in A Lovely Sunday for Creve Coeur – and explores the significance of the pattern to Williams’ larger-than-life-size characters, his nostalgic ambience, and his tragicomic vision. By reference to Jungian psychology, existentialist philosophy, and Northrop Frye’s schema of literary archetypes, this critical study demonstrates how Williams’ drama imparts «mythic significance to modern secular experience.»

Seventeen years ago, Isobel was murdered at the tender age of nine. Now she finds herself back in her previous life as a ghost, searching for the person responsible for her untimely death. But this time she's powerful, having the ability ot watch over the living, observe them, and sometimes interact with them. Of special interest are Isobel's former neighbours, whom she begins to suffer along with during their dark private experiences. Will she finally get the peace she's been yearning for? One of Judith Thompson's most enduring plays, Lion in the Streets looks at the inner turmoil of ordinary people and the ways in which they cope.

A constructive resource for all who endeavour to become reflective practitioners.

Practical in emphasis, this textbook offers newcomers an introduction to understanding theological reflection and helps those training for ministry to explore which of the methods introduced best suits them and their particular situation.

A searing triptych of three monologues all exposing the ugly truth behind the headlines of the current situation in Iraq. In America, a disgraced female soldier defends the chaotic events that took place in Abu Ghraib prison. In England, weapons inspector David Kelly confronts the human consequences of lies that spiralled out of control. And in Baghdad, a mother tells the story of a country that no longer exists. This gripping play strips away the modern myths of war to imagine three people who are all, in different ways, preparing to take their place in history.