Leon Wieseltier Livres

Studies on contemporary art and culture by one of the most original, critical and analytical minds of this century. Illuminations includes Benjamin's views on Kafka, with whom he felt the closest personal affinity, his studies on Baudelaire and Proust (both of whom he translated), his essays on Leskov and on Brecht's Epic Theater. Also included are his penetrating study on "The Work of Art in the Age of Mechanical Reproduction," an illuminating discussion of translation as a literary mode, and his thesis on the philosophy of history. Hannah Arendt selected the essays for this volume and prefaces them with a substantial, admirably informed introduction that presents Benjamin's personality and intellectual development, as well as his work and his life in dark times. Reflections the companion volume to this book, is also available as a Schocken paperback.Unpacking My Library, 1931The Task of the Translator, 1913The Storyteller, 1936Franz Kafka, 1934Some Reflections on Kafka, 1938What Is Epic Theater?, 1939On Some Motifs in Baudelaire, 1939The Image of Proust, 1929The Work of Art in the Age of Mechanical Reproduction, 1936Theses on the Philosophy of History, written 1940, pub. 1950

A National Jewish Book Award-winning autobiography that's "an astonishing fusion of learning and psychic intensity; its poignance and lucidity should be an authentic benefit to readers, Jewish and gentile" ( The New York Times Book Review).Children have obligations to their the Talmud says "one must honor him in life and one must honor him in death." Beside his father’s grave, a diligent but doubting son begins the mourner’s kaddish and realizes he needs to know more about the prayer issuing from his lips. So begins Leon Wieseltier’s National Jewish Book Award–winning autobiography, Kaddish , the spiritual journal of a man commanded by Jewish law to recite a prayer three times daily for a year and driven, by ardor of inquiry, to explore its origins. Here is one man’s urgent exploration of Jewish liturgy and law, from the 10th-century legend of a wayward ghost to the speculations of medieval scholars on the grief of God to the perplexities of a modern rabbi in the Kovno ghetto. Here too is a mourner’s unmannered response to the questions of fate, freedom, and faith stirred in death’s wake. Lyric, learned, and deeply moving, Wieseltier’s Kaddish is a narrative suffused with a son’s embracing the tradition bequeathed to him by his father, a scholar’s savoring they beauty he was taught to uncover, and a writer’s revealing it, proudly, unadorned, to the reader.