Lionel Trilling Livres

Lionel Trilling (1905 - 1975) wanted very much to be a novelist. His short stories appeared in "The Menorah Journal" and "Partisan Review", and he published one novel in 1947, "The Middle of the Journey".

This collection focuses on republishing classic works from the early 1900s and earlier, which have become rare and costly. The aim is to make these timeless texts accessible by offering them in high-quality, modern editions that preserve the original text and artwork.

This volume devotes over 100 pages to William Blake, including The Book of Thel and the entire "Night the Ninth" from The Four Zoas, as well as excerpts from Milton and Jerusalem. It also includes poems and prose by Wordsworth, Coleridge, Keats, Shelley, and Byron.

Now and then, writes Lionel Triling, it is possible to observe the moral life in process of revising itself. In this new book he is concerned with such a mutation: the process by which the arduous enterprise of sincerity, of being true to one's self, came to occupy a place of supreme importance in the moral life--and the further shift which finds that place now usurped by the darker and still more strenuous modern ideal of authenticity. Instances range over the whole of Western literature and thought, from Shakespeare to Hegel to Sartre, from Robespierre to R.D. Laing, suggesting the contradictions and ironies to which the ideals of sincerity and authenticity give rise, most especially in contemporary life. Lucid, and brilliantly framed, its view of cultural history will give Sincerity and Authenticity an important place among the works of this distinguished critic.

The America of John Dos Passos -- Hemingway and his critics -- T.S. Eliot's politics -- The immortality ode -- Kipling -- Reality in America -- Art and neurosis -- Manners, morals, and the novel -- The Kinsey report -- Huckleberry Finn -- The Princess Casamassima -- Wordsworth and the Rabbis -- William Dean Howells and the roots of modern taste -- The poet as hero: Keats in his letters -- George Orwell and the politics of truth -- The situation of the American intellectual at the present time -- Mansfield Park -- Isaac Babel -- The morality of inertia -- "That smile of Parmenides made me think"--The last lover -- A speech on Robert Frost: a cultural episode -- On the teaching of modern literature -- The Leavis-Snow controversy -- The fate of pleasure -- James Joyce in his letters -- Mind in the modern world -- Art, will, and necessity -- Why we read Jane Austen.

Examining the complexities of liberalism during a tense Cold War period, this influential collection of essays critiques the overconfidence in rationality and progress. Trilling argues for the importance of imagination in understanding human motivations and the inherent tragedies of life. He posits that true liberalism should be reflective and nuanced, rather than simplistic and dogmatic, emphasizing the need for a deeper exploration of societal and political issues through imaginative thought.

“The modern novel in its most cogent and permanent form”––this has been the achievement of E. M. Forster; his masterpiece,  A Passage to India , belongs with perhaps three or four other works in English at the pinnacle of literary craftsmanship in this century. Yet for many years Forster’s genius was virtually unrecognized in America. Not until 1943, when Lionel Trilling’s authoritative and discerning study was first published, did Forster find his way to a broad American audience. In this 1964 revision of the first paperbook edition, Mr. Trilling added a preface and brought the bibliography up to date. His book performs two it is a critical-biographical introduction to the master novelist and his works; it is in itself a primary document in the development of, contemporary American criticism. Here is criticism functioning at its best, deftly, surely, wittily, within a framework of the ideas which are basic to literary thought today.

Published in 1947, as the cold war was heating up, Lionel Trilling’s only novel was a prophetic reckoning with the bitter ideological disputes that were to come to a head in the McCarthy era. The Middle of the Journey revolves around a political turncoat and the anger his action awakens among a group of intellectuals summering in Connecticut. The story, however, is less concerned with the rights and wrongs of left and right than with an absence of integrity at the very heart of the debate. Certainly the hero, John Laskell, staging a slow recovery from the death of his lover and a near-fatal illness of his own, comes to suspect that the conflicts and commitments involved are little more than a distraction from the real responsibilities, and terrors, of the common world. A detailed, sometimes slyly humorous, picture of the manners and mores of the intelligentsia, as well as a work of surprising tenderness and ultimately tragic import, The Middle of the Journey is a novel of ideas whose quiet resonance has only grown with time. This is a deeply troubling examination of America by one of its greatest critics.

The book is regarded as a significant literary work, valued by scholars and academicians for its contribution to literature. It has been reproduced in its original print format to ensure its preservation for future generations, including any marks or annotations that reflect its historical context. This approach emphasizes the importance of maintaining the book's authenticity and legacy.

A great critic’s quarrels with himself and others, as revealed in his correspondence In the mid-twentieth century, Lionel Trilling was America’s most respected literary critic. His powerful and subtle essays inspired readers to think about how literature shapes our politics, our culture, and our selves. His 1950 collection, The Liberal Imagination, sold more than 100,000 copies, epitomizing a time that has been called the age of criticism. To his New York intellectual peers, Trilling could seem reserved and circumspect. But in his selected letters, Trilling is revealed in all his variousness and complexity. We witness his ardent courtship of Diana Trilling, who would become an eminent intellectual in her own right; his alternately affectionate and contentious rapport with former students such as Allen Ginsberg and Norman Podhoretz; the complicated politics of Partisan Review and other fabled magazines of the period; and Trilling’s relationships with other leading writers of the period, including Saul Bellow, Edmund Wilson, and Norman Mailer. In Life in Culture, edited by Adam Kirsch, Trilling’s letters add up to an intimate portrait of a great critic, and of America’s intellectual journey from the political passions of the 1930s to the cultural conflicts of the 1960s and beyond.