James McNeill Whistler Livres

Selected Etchings of James A. McN. Whistler [Oct 01, 1975] Maria Naylor and James A. Whistler

This title contains Whistler's writings on art, criticism and aesthetics.

A facsimile of Whistler's published 1885 lecture, the culmination of years of work and self-promotion after Ruskin's bruising criticism, expressing his artistic beliefs with satire and beauty.

Whistler's Gentle Art, a classic in the literature of insult and denigration, might well be subtitled "The Autobiography of a Hater," for it contains the deadly sarcasm and stinging remarks of one of the wittiest men of the nineteenth century. Whistler not only refused to tolerate misunderstanding by critics and the so-called art-loving public — but launched vicious counterattacks as well. His celebrated passages-at-arms with Oscar Wilde and Swinburne, the terse and penetrating "letters to the editor," his rebuttals to attacks from critics, and biting marginal notes to contemptuous comments on his paintings and hostile reviews (which are also reprinted) are all part of this record of the artist's vendettas. Whistler's most famous battle began when critic John Ruskin saw one of the artist's "Nocturnes" exhibited in Grosvenor Gallery. "I have seen, and heard," wrote Ruskin, "much of cockney impudence before now; but never expected to hear a coxcomb ask two hundred guineas for flinging a pot of paint in the public's face." Whistler was incensed with this criticism, and initiated the famous libel case "Whistler vs. Ruskin." Extracts from the resultant trial record are among the highlights of this book, with Whistler brilliantly annihilating his Philistine critics, but winning only a farthing in damages. The Gentle Art, designed by Whistler himself, is a highly entertaining account of personal revenges, but it is also an iconoclast's plea for a new and better attitude toward painting. As a historical document, it is the best statement of the new aesthetics versus the old guard academics, and it helped greatly in shaping the modern feeling toward art.

Originally delivered in 1888, this lecture is a fascinating glimpse into the artistic and literary culture of the late 19th century. Swinburne and Whistler deliver a witty and provocative discussion of the nature of art and the artist's role in society. Their remarks are accompanied by beautiful illustrations by Whistler. This is a must-have for any fan of late Victorian art and literature.

Set in the late 19th century, this novel presents a tale of class and romance, featuring the intriguing dynamics between a baronet and a butterfly. The story explores themes of societal expectations and personal desires, weaving a narrative that reflects the complexities of love and status. This high-quality reprint preserves the essence of the original 1899 edition, inviting readers to experience the charm and elegance of the period.

Set in the late 19th century, this reprint captures the essence of a unique romance between a baronet and a butterfly, weaving themes of love and societal expectations. The narrative explores the complexities of relationships through a clever Valentine’s Day lens, culminating in a verdict that reflects the era's values. This edition preserves the charm of the original 1899 publication, offering readers a glimpse into a bygone era of literary elegance and romantic intrigue.

Exploring the nuances of social conflict and artistic expression, this book offers a unique perspective on the concept of making enemies with wit and charm. Through various instances and examples, it delves into the complexities of human relationships and the often humorous consequences of interpersonal disagreements. The 1892 edition presents timeless insights into the art of communication and rivalry, making it a fascinating read for those interested in social dynamics and historical commentary.

Focusing on art and aesthetics, this collection of ten essays by James McNeill Whistler explores various themes such as color harmony, the artist's societal role, and the intrinsic value of art. Originally delivered as lectures in 1885, Whistler critiques the academic tradition and champions a modern approach to painting. His distinctive voice and wit shine through as he discusses topics from displaying art to the essence of beauty. Accompanied by illustrations of his notable works, this book offers a compelling insight into the perspectives of a pivotal late 19th-century artist.