Albrecht Dürer Livres

Chefs d'uvre L'exposition d'ouverture du centre Pompidou-Metz.

An introduction to the Renaissance genius of Albrecht Durer. It focuses on Durer's studies of the natural world to show how the artist imbued the most ordinary of living things with reverence and emotion. A master graphic artist, Albrecht Durer (1471-1528) was arguably the most important artist of the Northern Renaissance. Although he was extremely influential as a printer, his drawings and paintings reveal a profound scientific curiosity and sensitivity to the world around him. This collection of sketches and watercolours features 34 animal and plant studies, including the masterpieces "Hare" and "Large Piece of Turf". Victoria Salley presents an essay exploring Durer's interest in nature and reproductions which should allow readers to appreciate the intricate beauty of Durer's work as well as his keen powers of observation - traits which continue to inspire and instruct artists today.

Facsimile of Durer's Apocalypse of 1498, arguably the greatest set of prints in Western art.

Albrecht Dürer excelled in various media, but his woodcut designs showcase his creative genius at its peak. This collection features over 300 of his extant woodcuts, including renowned works like the series on the Life of the Virgin, The Apocalypse of John (17 cuts), The Great Passion, St. Jerome in his Study, and The Fall of Icarus, among others. It serves as the sole source for many of these pieces. While sacred themes dominate—depicting the Holy Family, Christ's life, and saints—Dürer also explored diverse motifs, including portraits, book illustrations, coats of arms, and mythological themes. The plates are arranged chronologically, allowing readers to trace the evolution of Dürer's artistry, revealing an individualistic style and unparalleled skill. An introduction by Campbell Dodgson and a 34-page guide by Dr. Willi Kurth address the authenticity of each work, referencing key Dürer scholars and providing historical context from his apprenticeship in Nuremberg to his later works (1520-1528). The woodcuts are reproduced in exceptional detail, making this collection essential for art historians and critics, while also offering aesthetic enjoyment to lay readers.