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Georgia O. Keeffe

    15 novembre 1887 – 6 mars 1986

    Georgia O'Keeffe était une artiste américaine dont l'œuvre est intrinsèquement liée au Sud-Ouest américain. Elle y trouvait son inspiration artistique, particulièrement au Nouveau-Mexique, où elle s'est installée tard dans sa vie. Ses peintures, notables depuis les années 1920, synthétisent avec fluidité l'abstraction et la représentation. Elle est renommée pour ses représentations de fleurs, de rochers, de coquillages, d'os d'animaux et de paysages, caractérisées par des formes aux contours nets et des transitions tonales subtiles. O'Keeffe transformait fréquemment ses sujets en puissantes images abstraites.

    Birth of the cool
    Georgia O'Keeffe. 1887-1986. Flowers in the desert
    Paintings & photographs
    Georgia O'Keeffe
    Paintings
    Georgia O'Keeffe. Selected Paintings and Works on Paper
    • Georgia O'Keeffe

      • 224pages
      • 8 heures de lecture
      4,4(6)Évaluer

      Long recognised as a major figure in American art, Georgia O'Keefe has had a number of retrospective exhibitions at leading American museums, each one a major event. Yet no full colour collection of her work has been available until now. This comprehensive volume consists of 108 colour plates accompanied by text written by the artist.

      Georgia O'Keeffe
    • Georgia O'Keeffe / John Loengard: Paintings and Photographs In June 1966, photographer John Loengard was asked by Life magazine to photograph Georgia O'Keeffe in New Mexico, where she had been living since the late 1930s. Georgia O'Keeffe was 79 years old at the time, Loengard was 32, and for three days he observed and photographed the private life of this pioneer artist who virtually redefined American painting. For this unique book, we selected almost fifty of the finest black-and-white pictures Loengard took of the grand, solitary woman in the desert, and juxtaposed them with selected paintings of hers. They record the course of a day in the life of Georgia O'Keeffe from sunrise to sunset, developing their own quiet, mysterious effect. It becomes clear how much the austere poetry of the landscape corresponded to the artist's own self-created world and how her artistic imagination was kindled by bleached bones and an infinite desert. Texts by Georgia O'Keeffe and John Loengard

      Paintings & photographs
    • About the idiosyncratic of O’Keeffe’s careerThe art of American painter Georgia O’Keeffe (1887-1986) is splendid with color and laden with hidden sensuality. O’Keeffe’s name rests mainly on the large-format flower pictures that have assured her an unusual place in the annals of art, between realist and abstract.>Our Basic Art Series study traces the idiosyncratic of O’Keeffe’s career, and numerous illustrations document the most important periods in her lengthy life in art.About the Each book in TASCHEN’s Basic Art series

      Georgia O'Keeffe. 1887-1986. Flowers in the desert
    • Birth of the cool

      • 224pages
      • 8 heures de lecture
      3,5(2)Évaluer

      Birth of the Cool presents art that developed in subtle deviation from the familiar movements of 20th century American painting through retaining their main characteristics as points of reference. The accentuation of the surface, the breaking up of illusionistic space, the opening up of the painting's format to new dimensions in space and time are the lasting constants of American painting. The American tradition in painting is a tradition that is both sensual and severe, intellectual and emotional and above all open to modern society.

      Birth of the cool
    • A full-color, lavishly illustrated volume presents postcard-sized reproductions of the noted American artist's thirty-two most popular works.

      Georgia O'Keeffe. Paintings
    • O'Keeffe's 1927 painting expresses her defiant commitment to abstraction and the influences of Kandinsky, Dove and others During the 1920s, Georgia O'Keeffe (1887-1986) became widely known for her paintings of enlarged flowers. But she regularly returned to abstraction, and indeed found it "surprising how many people separate the objective from the abstract." Executed in 1927, Abstraction Blueillustrates that belief, retaining the glowing color, careful modulation and zoomed-in view of the artist's contemporaneous blooms, while forgoing any obligation toward representation. In this latest volume of the MoMA One on One series, curator Samantha Friedman considers how these and other factors converged in the creation of this composition.

      Abstraction blue