Focusing on the life and work of Clifford Gleason, this study highlights his journey as an "artist's artist" from the 1930s to the end of his life, marked by personal struggles with alcoholism, poverty, and societal repression. The monograph, published alongside an exhibition, explores his artistic evolution amid changing modernism, showcasing his unique contributions that blend visual beauty with poetic expression. It emphasizes how paint became his sanctuary, allowing him to achieve a sense of competence and success despite life's challenges.
Focusing on the diverse interactions between plants and viruses, this book offers a comprehensive examination of plant virology from a comparative perspective. It highlights the molecular mechanisms of viral infections, the host plant responses, and the evolutionary dynamics of plant viruses. By integrating case studies and the latest research findings, it provides insights into disease management strategies and the implications for agriculture. This resource is essential for researchers and students interested in plant biology and virology.
Henk Pander's artistic journey reflects a blend of American and Dutch influences, as he navigates his identity as a "reluctant immigrant" in Portland, Oregon. His work captures American themes such as technology and disaster while revising traditional Dutch painting techniques to create impactful art. Simultaneously, he engages with European scenes, showcasing his dual cultural perspective and enriching the dialogue between these two worlds through his paintings and drawings.
The narrative explores Manuel Izquierdo's remarkable journey from his impoverished beginnings in Madrid to becoming a prominent figure in Oregon's modern art scene. It highlights his early exposure to woodworking through his grandfather, his escape from Spain amid the Civil War, and his emigration from France during World War II. The book chronicles his evolution as a sculptor and printmaker in Portland, showcasing his artistic contributions and the impact of his experiences on his work throughout the latter half of the twentieth century.
Focusing on brain imaging technology, this book explores the localization of neurotransmitter receptors in healthy individuals versus those with neurological disorders. It highlights advancements in understanding the brain and improving diagnosis and treatment of brain diseases, providing insights into the differences in brain function and structure across various conditions.
George Johanson's artistic journey spans from Seattle to New York, with a focus on bathers, swimmers, and urban scenes, particularly in Portland. His work uniquely juxtaposes the chaos of fires—whether from city buildings or volcanoes—with human indifference, exploring themes of vulnerability and resilience. As a painter, printmaker, and educator, Johanson captures the essence of both everyday life and extraordinary events, reflecting a deep connection to his environment and the human experience.
Roger Hull is a distinguished art historian and curator, recognized for his significant contributions to the Hallie Ford Museum of Art and his role as a professor emeritus at Willamette University. His accolades include being named Oregon Professor of the Year in 1993 and receiving the Oregon Governor's Arts Award in 1999 for his dedication to the museum's establishment. He is also connected to the art world through his marriage to artist Bonnie Hull.
The book features Roger Hull, an esteemed professor of art history at Willamette University in Salem, Oregon. His expertise and insights into the field of art history offer a unique perspective, likely enriching the academic discourse and providing valuable knowledge to students and readers interested in the subject.
Born in Czechoslovakia, Jan Zach (1914-1986) trained as an artist in Prague, traveled to New York in 1938 to help prepare the Czech pavilion for the New York World's Fair, and never returned home because of the Nazi invasion and later Communist takeover. He settled permanently in Eugene in 1958 when he became a professor of sculpture at the University of Oregon.In his intersection with Oregon, Zach brought an international perspective on culture, art, and politics that was unusual among artists of the Pacific Northwest. His importance is based partly on his grafting of European modernism with Northwest regionalism - an intersection that resulted in a wide variety of sculpture, from rough hewn beach logs to stainless steel kinetic constructions. The diversity of his production is unified by the elements that most fascinated him: light, movement, and time, and by his relentless call for human freedom and resistance to oppression.This book explores Zach's place in European and New World art of the mid-twentieth century, interweaving an account of Zach's colorful life with an assessment of his artwork - from his early paintings and commercial illustrations to his mature work as a major Northwest sculptor.Roger Hull is professor of art history at Willamette University, in Salem, Oregon.
