An internationally renowned expert relates the secrets behind the recipes, materials, and processes used by medieval painters to obtain brilliance and permanence. Based on years of study of antique manuscripts and modern laboratory analysis, this volume explains carriers and grounds, binding media, pigments, coloring materials, and metals used in painting. "A rich feast." — The Times (London).
Bernard Berenson Livres
Bernard Berenson était un historien de l'art américain spécialisé dans la Renaissance. Il fut une figure centrale dans le domaine de l'attribution artistique, établissant ainsi le marché des peintures des "vieux maîtres". Son travail a profondément marqué la compréhension et la valorisation de l'art de cette période.






Essays in the Study of Sienese Painting
- 248pages
- 9 heures de lecture
The Venetian Painters Of The Renaissance: With An Index To Their Works
- 168pages
- 6 heures de lecture
Venetian Painting in America: The Fifteenth Century
- 480pages
- 17 heures de lecture
This is a comprehensive survey of Venetian painting in America during the 15th century, with a particular focus on works by Giovanni Bellini, Carpaccio, and other notable artists of the period. Berenson's insightful commentary and expert analysis make this an essential volume for anyone interested in the art and culture of Renaissance Venice.
Lorenzo Lotto: An Essay in Constructive Art Criticism
- 448pages
- 16 heures de lecture
Catalogue Of A Collection Of Paintings And Some Art Objects
- 444pages
- 16 heures de lecture
The Florentine Painters of the Renaissance: With an Index to Their Works
- 182pages
- 7 heures de lecture
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Venetian Painting, Chiefly Before Titian, at the Exhibition of Venetian Art, The New Gallery, 1895
- 52pages
- 2 heures de lecture
The Study and Criticism of Italian Art: Third Series
- 254pages
- 9 heures de lecture
The Central Italian Painters of the Renaissance
- 214pages
- 8 heures de lecture