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John House

    19 avril 1945 – 7 février 2012

    John House fut le doyen des historiens de l'impressionnisme. Loin d'être superficiels ou conciliants, les impressionnistes furent révélés dans les écrits de House comme des observateurs perspicaces du changement social. Au lieu d'être un mouvement autonome, ils furent présentés comme de fins négociateurs des conventions et institutions artistiques. House joua un rôle essentiel dans la transformation de l'étude académique de cette période et présida au développement de son appréciation publique à travers les expositions spectaculaires qu'il a organisées.

    Impressionist Masterpieces
    Monet. Nature into Art
    Monet
    The Courtauld Cézannes
    • 2020

      The Courtauld Cézannes

      • 128pages
      • 5 heures de lecture
      4,0(1)Évaluer

      Highlighting the first-ever exhibition of Paul Czanne's complete collection at The Courtauld Gallery, this catalogue celebrates the 75th anniversary of The Courtauld Institute of Arts. It features an exceptional array of seminal paintings, alongside rarely seen drawings and watercolors, showcasing the breadth of Czanne's artistic evolution throughout his career. The collection's significance is underscored by its quality and diversity, offering a comprehensive insight into one of the most influential artists in art history.

      The Courtauld Cézannes
    • 1986

      Analyzes the career of French painter Claude Monet focusing on the evolution of his painting technique

      Monet. Nature into Art
    • 1985
    • 1981

      “I’m pursuing the impossible . . . I want to paint the air in which the bridge, the house, and boat are to be found—the beauty of the air around them . . .” Claude Monet wanted to capture more than just air and light in impasto paint on canvas, as he explained in a conversation with the Danish author Herman Bang in 1895. The master of light was also a master of shadows and reflections. This is evident in his most famous paintings, such as that of the façade of the Rouen cathedral, or the haystacks painted against light, or in the reflections of the water lilies in the pond at Giverny. In particular, his sun-drenched groves, coastlines, and depictions of the Seine in both summer and winter, demonstrate how Monet revolutionized painting by questioning the conventional notions of what a painting could be. This exquisite volume is devoted to the works from the period between 1880 and 1905 and truly paints Monet in a new light. Exhibition: Fondation Beyeler Riehen/Basel, January 22–May 28, 2017

      Monet