Caroline Lea tisse des récits évocateurs et atmosphériques qui explorent les émotions humaines profondes et les relations complexes. Sa prose est lyrique et résonnante, marquée par un sens aigu du détail des personnages et du décor. Lea aborde les thèmes de la perte, de la mémoire et de la résilience, son écriture reflétant souvent la beauté et la rudesse du monde naturel. Son œuvre séduit les lecteurs en quête de fiction littéraire riche en profondeur émotionnelle et en précision artistique.
Set against the backdrop of war, the narrative explores the lives of innocent characters whose fates intertwine with the chaos around them. Through meticulous research and vivid storytelling, the author brings a small Scottish locale to life, immersing readers in its sights and sounds. The emotional journey of the central characters resonates deeply, prompting a strong connection and empathy from the audience as they navigate the trials of conflict.
Toronto, 1926. Knowing that he will die without an heir, childless millionaire Charles Millar leaves behind a controversial will: the recipient of his fortune will be decided in a contest that will become a media sensation and be known as the Great Stork Derby. His money will go to the winner: the woman who bears the most children in the ten years after his death. It is a bequest that will have dramatic consequences for the lives of two women-allies and close friends. Lily di Marco is young, pregnant, and terrified of her alcoholic, violent husband. When her town is damaged by an earthquake, she flees to Toronto, arriving, by chance, on the doorstep of the glamourous Mae Thebault. While Mae presents an elegant, confident face to the world, she secretly struggles with her own tortured past and a present consumed with the never-ending burdens of motherhood. Lily enters her life at a breaking point, and soon a fierce friendship blossoms between the women. That is until the Great Depression and the contest, with its alluring prize, threatens to tear their friendship-and their lives-apart
"Orkney, 1940. Five hundred Italian prisoners-of-war arrive to fortify these remote and windswept islands. Resentful islanders are fearful of the enemy in their midst, but not orphaned twin sisters Dorothy and Constance. Already outcasts, they volunteer to nurse all prisoners who are injured or fall sick. Soon Dorothy befriends Cesare, an artist swept up by the machine of war and almost broken by the horrors he has witnessed. She is entranced by his plan to build an Italian chapel from war scrap and sea debris, and something beautiful begins to blossom. But Con, scarred from a betrayal in her past, is afraid for her sister; she knows that people are not always what they seem. Soon, trust frays between the islanders and outsiders, and between the sisters - their hearts torn by rival claims of duty and desire. A storm is coming . . ."--Publisher
Shortlisted for a prestigious award, this debut novel intricately weaves historical elements with compelling storytelling. It explores rich themes and character development, immersing readers in a vividly depicted past. The narrative promises to captivate those who appreciate a blend of history and fiction, providing a fresh perspective through its well-researched backdrop and engaging plot. Expect a journey that resonates emotionally while offering insights into the era it portrays.
Jersey, June 1940: it starts with the burning man on the beach just after the bombs land, obliterating the last shred of hope that Hitler will avert his attention from the Channel Islands. Within weeks, 12,000 German troops land on the Jersey beaches, heralding a new era of occupation. When The Sky Fell Apart is a heartbreaking chorus of the resilience of the human spirit. These memorable characters take you on a journey through the war and linger with you long after the last page.
Im Jahr 1686 leidet die junge Rósa in Island unter extremer Armut und heiratet den reichen Händler Jón, der von düsteren Legenden umgeben ist. Im neuen Dorf wird sie mit Argwohn empfangen und muss sich der wachsenden Bedrohung stellen, während eine kleine Glasfigur ihr einziger Trost bleibt.