Emma Sutton est une éminente spécialiste de la littérature dont le travail éclaire les liens complexes entre la musique et la littérature. Elle possède une profonde compréhension de la manière dont ces deux formes d'art s'influencent et s'enrichissent mutuellement. Sutton explore des thèmes et des styles qui résonnent à travers différents médiums artistiques, offrant aux lecteurs une perspective unique sur leur interaction. Ses essais et ses émissions offrent des explorations perspicaces pour les amateurs de littérature comme de musique.
This is the first book focused on Forster's Maurice and its legacies in modern and contemporary fiction, film and new media. Ground-breaking essays by leading scholars offer new readings by exploring overlooked contexts including: feminism and the 'social purity' movement; anti-Fascism; religion and allegory; and early twentieth-century contestations over body-soul relation.
Sutton presents a study of the influence of Richard Wagner on the work of Aubrey Beardsley (1872-1898). She explores the role of Wagnerism within British culture of the 1890's, in particular the relations between Wagnerism and the decadent movement.
In a kingdom plunged into chaos following the king's death, power struggles and betrayal emerge among nobles vying for the throne. Amidst the turmoil, unlikely alliances form, and hidden agendas come to light as characters navigate the treacherous political landscape. Themes of loyalty, ambition, and the quest for power drive the narrative, revealing the lengths individuals will go to secure their place in a fractured realm. As the battle for succession intensifies, the fate of the kingdom hangs in the balance.
Offers an investigation into the formative influence of music on Virginia Woolf's writing. The author discusses all of Woolf's novels as well as selected essays and short fiction, offering detailed commentaries on Woolf's numerous allusions to classical repertoire and to composers including Bach, Mozart, Beethoven and Wagner.