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Rolf Staudt

    The Absolute at Large
    La Plaisanterie
    • La Plaisanterie

      • 455pages
      • 16 heures de lecture
      4,2(8554)Évaluer

      All too often, this brilliant novel of thwarted love and revenge miscarried has been read for its political implications. Now, a quarter century after The Joke was first published and several years after the collapse of the Soviet-imposed Czechoslovak regime, it becomes easier to put such implications into perspective in favor of valuing the book (and all Kundera 's work) as what it truly is: great, stirring literature that sheds new light on the eternal themes of human existence. The present edition provides English-language readers an important further means toward revaluation of The Joke. For reasons he describes in his Author's Note, Milan Kundera devoted much time to creating (with the assistance of his American publisher-editor) a completely revised translation that reflects his original as closely as any translation possibly can: reflects it in its fidelity not only to the words and syntax but also to the characteristic dictions and tonalities of the novel's narrators. The result is nothing less than the restoration of a classic.

      La Plaisanterie
    • "One of the genuine masterpieces of sci-fi." — R. D. Mullen In this satirical and enduringly relevant work of science fiction, the acclaimed Czech author Karel Čapek offers a prescient fable of the benefits and dangers of atomic power. Originally published in 1922, the story is set in a then-futuristic Czechoslovakia of 1943, in which an inventor develops the Karburator, a device with the potential to provide abundant low-cost energy. But the reactor's exciting possibilities are shadowed by its dangerous side effect: instead of carbon dioxide, it emits the Absolute, a spiritual essence that inspires a powerful religious fervor. Greed triumphs over ethics as the inventor and his business partner proceed with mass production of the Karburator, resulting in simmering religious strife that ignites a world war. Karel Čapek is best known for popularizing the term "robot" in his play R.U.R., a seminal work of science fiction in which the robots are metaphors for a world dehumanized by social organization and technology. He offers another strikingly foresighted vision in The Absolute at Large, written decades before global warming awareness yet predicting the catastrophic consequences of the unchecked pursuit of profit by business and industry.

      The Absolute at Large