Brno Echo: ornament a zločin od Adolfa Loose k dnešku
- 132pages
- 5 heures de lecture



A highly acclaimed critical study of graphic design and typography. This critical study of graphic design and typography is a source for anyone interested in the art and history of books, letterforms, symbols, advertising, and theories of visual and verbal communication. A section on theory considers the centrality of the written and printed word to post-structuralism and deconstruction. A wide range of design practices are discussed, from the history of punctuation and the origins of international pictograms to the structure of modern typography. A section on media looks at the role of design in mass communications with essays on stock photography, visual journalism, illustration, advertising and vernacular design cultures. The book closes with history, a section organised as a time line spanning 200 years of design in America. These historical case studies show how the modern profession of graphic design emerged in response to cultural, political and economic developments in the US.
A celebration of contemporary dance, this text features work from photographers around the world. The images of dancers, choreographers and performance artists were conceived as "duets" between artist and photographer, forming a dialogue. A series of essays on five key choreographers who have shaped contemporary dance - Merce Cunningham, Paul Taylor, Twyla Tharp, Trisha Brown and Mark Morris - lend insight into the distinctive style and personality of each artist. The book is the culmination of the award-winning magazine "Dance Ink", an avant-garde production which attracted a cult following in its years in print (1990-1996) due to its innovative design and approach to dance photography.