Matthias Fienbork Livres

In 1933 the delightfully eccentric Robert Byron set out on a journey through the Middle East via Beirut, Jerusalem, Baghdad, and Teheran to Oxiana-the country of the Oxus, the ancient name for the river Amu Darya which forms part of the border between Afghanistan and the Soviet Union. His arrival at his destination, the legendary tower of Qabus, although a wonder in itself, is not nearly so amazing as the thoroughly captivating, at times zany, record of his adventures. His story would become a best-selling travel book throughout the English-speaking world. When Paul Fussell published his own book Abroad, in 1982, he wrote that The Road to Oxiana is to the travel book what "Ulysses is to the novel between the wars, and what The Waste Land is to poetry." His statements revived the public's interest in the book, and for the first time, it was widely available in American bookstores. Now this long-overdue reprint will introduce Byron's classic to a whole new generation of readers, at a time when interest in the Middle East has never been greater. Book jacket.

Le mythe du Roi-Soleil n'est pas une création tardive: c'est Louis XIV en personne qui a construit sa statue et son personnage, déployant pour ce faire tous les moyens culturels et financiers à sa disposition. L'objet de ce livre est donc l'ensemble des représentations de Louis XIV en son temps (médailles, ballets, histoires officielles, etc.) - l'histoire d'une propagande au service du Roi-Soleil. C'est l'invention d'une image et d'un roi mi-homme mi-dieu qui est ainsi analysée. Les mécanismes de fabrication d'une idole, la manipulation des médias, les rapports entre les arts et le pouvoir sont au cœur de l'étude de Peter Burke, qui s'autorise aussi des comparaisons entre Louis XIV et d'autres dirigeants, de l'empereur Auguste aux présidents américains d'aujourd'hui.