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Ken Dancyger

    8 mars 1945

    Ken Dancyger est un auteur et éducateur accompli dont les œuvres explorent les aspects théoriques et pratiques de l'écriture de scénarios, de la réalisation et du montage cinématographique. Ses livres influents sont considérés comme des textes fondamentaux dans les programmes de cinéma du monde entier, offrant des perspectives profondes plutôt que de simples guides pratiques. Dancyger partage activement son expertise à travers des ateliers internationaux et des consultations de scénarios, enrichissant la communauté cinématographique mondiale grâce à sa vaste expérience.

    The Director's Idea
    Alternative Scriptwriting
    Storytelling for Film and Television
    The Classrooms All Young Children Need
    The Technique of Film and Video Editing : Hstory, Theory, and Practice
    The Technique of Film and Video Editing
    • The Technique of Film and Video Editing

      History, Theory, and Practice

      • 512pages
      • 18 heures de lecture
      4,0(1)Évaluer

      Focusing on the artistic and aesthetic principles of editing, this updated sixth edition delves into the storytelling choices editors face, supported by a rich context of theory and history. It covers a variety of genres, including action, comedy, drama, documentary, and experimental forms. Ken Dancyger analyzes numerous classic and contemporary films, providing insights into the editing process and its impact on narrative development. This comprehensive guide serves as an essential resource for aspiring editors and filmmakers alike.

      The Technique of Film and Video Editing
    • The Technique of Film and Video Editing provides a detailed, precise look at the artistic and aesthetic principles and practices of editing for both picture and sound. Because editing is about more than learning a specific software program, this book focuses on the fundamentals of editing as art. Analysis of photographs from dozens of classic and contemporary films and videos provide a sound basis for the professional filmmaker and student editor. This book puts into context the storytelling choices an editor will have to make against a background of theory, history, and practice. This edition includes brand new chapters covering the goals of editing, including editing for narrative clarity, subtext, aesthetics, and dramatic emphasis, all showing how to evoke specific audience responses

      The Technique of Film and Video Editing : Hstory, Theory, and Practice
    • The Classrooms All Young Children Need

      • 248pages
      • 9 heures de lecture
      3,0(1)Évaluer

      Takes a view of Vivian Paley's many books and articles, charting the evolution of Paley's thinking while revealing the seminal characteristics of her teaching philosophy.

      The Classrooms All Young Children Need
    • Storytelling for Film and Television

      From First Word to Last Frame

      • 188pages
      • 7 heures de lecture
      2,7(3)Évaluer

      Focusing on the art of storytelling, this book explores writing, directing, and editing within film and television. Ken Dancyger offers a thorough examination of the essential tools that contribute to effective narrative filmmaking and production, making it an invaluable resource for aspiring filmmakers and storytellers.

      Storytelling for Film and Television
    • Alternative Scriptwriting

      Successfully Breaking the Rules

      • 425pages
      • 15 heures de lecture
      3,8(79)Évaluer

      Going beyond the conventional three-act structure and exploring more inventive approaches, this text aims to challenge readers to take creative risks with genre, tone, character and structure.

      Alternative Scriptwriting
    • The Director's Idea

      The Path to Great Directing

      • 372pages
      • 14 heures de lecture
      3,7(42)Évaluer

      Focusing on practical techniques, this book offers directors valuable insights to enhance their craft. It provides strategies for effective storytelling, character development, and visual composition, aiming to elevate the overall quality of their productions. Through a blend of theory and real-world examples, it serves as a comprehensive guide for both aspiring and experienced directors seeking to refine their skills and achieve greater artistic expression.

      The Director's Idea
    • Global Scriptwriting

      • 268pages
      • 10 heures de lecture
      3,3(13)Évaluer

      Focusing on the evolution of storytelling, this book blends classical forms with contemporary innovations and global cultural shifts. It explores how diverse cultural perspectives enrich the repertoire for writers, addressing key topics such as the rise of unique voices, the quest for new narrative structures, and the interplay between style and content. Additionally, it highlights the significance of megagenre in modern literature, offering a comprehensive look at the changing landscape of storytelling.

      Global Scriptwriting
    • Writing the Short Film

      • 312pages
      • 11 heures de lecture
      3,2(62)Évaluer

      The short film is a unique narrative art form that, while lending itself to experimentation, requires tremendous discipline in following traditional filmic considerations. This book takes the student and novice screenwriter through the storytelling process- from conception, to visualization, to dramatization, to characterization and dialogue- and teaches them how to create a dramatic narrative that is at once short (approximately half an hour in length) and complete. Exercises, new examples of short screenplays, and an examination of various genres round out the discussion.NEW TO THE THIRD new screenplays, a chapter on rewriting your script, and a chapter on the future of short films

      Writing the Short Film
    • Broadcast Writing

      Dramas, Comedies, and Documentaries

      • 110pages
      • 4 heures de lecture

      Focusing on the essential tools for crafting compelling stories, this guide explores the nuances of writing for radio and television. It delves into the unique challenges faced in both documentary and dramatic formats, offering practical examples across various writing genres. The book serves as a comprehensive resource for aspiring writers looking to enhance their skills in broadcast media.

      Broadcast Writing
    • The Technique of Film and Video Editing

      • 384pages
      • 14 heures de lecture

      Provides the theory, history and thought processes behind film and video editing through in-depth analyzes of many films, both old and new. The book advises on how careful editing for pacing, clarity, continuity and sound affect the viewer's perceptions and the ultimate success of the sequence.

      The Technique of Film and Video Editing