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Robert McFarlane

    15 août 1976

    Robert Macfarlane est un écrivain britannique sur la nature et un critique littéraire, profondément immergé dans le paysage anglais. Son œuvre explore le lien profond entre l'humanité et le monde naturel, se penchant souvent sur le langage et la mythologie des lieux. À travers une prose évocatrice, il invite les lecteurs à reconsidérer leur relation avec l'environnement, révélant l'émerveillement et la signification cachés dans le familier. L'écriture de Macfarlane se caractérise par sa qualité lyrique et sa profondeur intellectuelle.

    Robert McFarlane
    Landmarks
    Is A River Alive?
    Holloway
    Original Copy
    The Lost Spells
    The Lost Words
    • The Lost Words stands against the disappearance of wild childhood. It is a joyful celebration of nature words and the natural world they invoke. With acrostic spell-poems by award-winning writer Robert Macfarlane and hand- painted illustration by Jackie Morris, this enchanting book captures the irreplaceable magic of language and nature for all ages.

      The Lost Words
      4,5
    • The Lost Spells

      • 240pages
      • 9 heures de lecture

      Dazzlingly beautiful and wonderfully inventive, this magical new book from the creators of a bestselling literary phenomenon introduces a fresh set of natural spell-poems and artwork by Robert Macfarlane and Jackie Morris. Similar in spirit to their previous work, this pocket-sized treasure presents "spells" inspired by underappreciated animals, birds, trees, and flowers—ranging from Barn Owl to Red Fox, Grey Seal to Silver Birch. Departing from the triptych format of their earlier work, it explores new shapes, spaces, and voices to conjure the essence of nature. Crafted to be read aloud, the text is infused with brushstrokes that resonate with the forest, field, and riverbank, while also appealing to the heart. The work aims to revive what is often overlooked, inspiring protection and action for the natural world. Above all, it celebrates wonder, showcasing nature's ability to amaze, console, and bring joy. Praise for the creators’ previous work highlights its beauty and the magic of language, emphasizing the astonishing artistry that invites readers to immerse themselves in its pages.

      The Lost Spells
      4,5
    • Original Copy

      Plagiarism and Originality in Nineteenth-Century Literature

      • 258pages
      • 10 heures de lecture

      Exploring the concept of originality in the nineteenth century, this study delves into how Victorian culture perceived and utilized plagiarism. It highlights its significance not just as a moral issue but as a source of inspiration for notable authors like Eliot, Dickens, Pater, and Wilde. The book presents a nuanced understanding of how these writers engaged with the idea of originality, revealing the complex interplay between creativity and the influence of earlier works in their literary endeavors.

      Original Copy
      4,5
    • Holloway

      • 48pages
      • 2 heures de lecture

      "'Holloway' is a hollow way, a sunken path. A route that centuries of foot-fall, hoof-hit, wheel-roll and rain-run have harrowed deep down into bedrock. In July 2005, Robert Macfarlane and Roger Deakin - author of Wildwood - traveled to explore the holloways of South Dorset's sandstone. They found their way into a landscape of shadows, spectres & great strangeness. Six years later, after Roger Deakin's early death, Robert Macfarlane returned to the holloway with the artist Stanley Donwood and writer Dan Richards. The book is about those journeys and that landscape." -- Amazon.com

      Holloway
      4,4
    • Is A River Alive?

      • 288pages
      • 11 heures de lecture

      Exploring the transformative idea that rivers are living beings deserving recognition, the book delves into the 'Rights of Nature' movement. Macfarlane embarks on three significant journeys: to Ecuador's threatened cloud-forest rivers, India's struggling waterways, and the defense of Quebec's Mutehekau river. Interwoven with personal reflections on a local chalk stream, this work blends the personal with the political, urging readers to rethink their relationship with nature. It challenges perspectives and emphasizes our interconnected fate with rivers.

      Is A River Alive?
      4,3
    • Landmarks

      • 434pages
      • 16 heures de lecture

      From Robert Macfarlane, the acclaimed author of The Old Ways and Underland—a celebration of the language of landscape and the power of words to shape our sense of place For years now, the British writer Robert Macfarlane has been collecting place-words: terms for aspects of landscape, nature, and weather, drawn from dozens of languages and dialects of the British Isles. In this, his fifth book, Macfarlane brilliantly explores the linguistic and literary terrain of the British archipelago, from the Shetlands to Cornwall and from Cumbria to Suffolk, offering themed glossaries of hundreds of these rare, deeply local, poetical terms, organized by such geographical terrains as flatlands, uplands, waterlands, coastlands, woodlands, and underlands. Interspersed with this archive of place words are biographical essays in which Macfarlane writes of his favorite authors who have paid close attention to the natural world and who embody in their own work the huge richness of place language—from Barry Lopez and John Muir to Nan Shepard, J. A. Baker, and Roger Deakin. Landmarks is a book about the power of language and how it can become a way to know and love landscape, from a writer acclaimed for his own precision of utterance and distinctive, lyrical voice.

      Landmarks
      4,3
    • The Wild Places

      • 340pages
      • 12 heures de lecture

      Are there any genuinely wild places left in Britain and Ireland? That is the question that Macfarlane poses to himself as he embarks on a series of breathtaking journeys through some of the archipelago's most remarkable landscapes. Illustrated.

      The Wild Places
      4,3
    • Underland

      • 488pages
      • 18 heures de lecture

      Presents an exploration of the Earth's underworlds as they exist in myth, literature, memory, and geography, offering unsettling perspectives into whether or not humans are making the correct choices for Earth's future.

      Underland
      4,2
    • The highly anticipated new book from the internationally bestselling, prize-winning author of *Landmarks*, *The Lost Words*, and *The Old Ways* has garnered rave reviews. Critics describe it as a "magnificent feat of writing, travelling, and thinking" that is both unsettling and exploratory. With a blend of curiosity, generosity of spirit, and erudition, it is deemed well worth reading. The writing is characterized as extraordinary—learned yet readable, thrilling, and beautifully crafted. Readers are drawn into a thoughtful journey, feeling as though they have spent time with a fine writer who embodies goodness. The narrative intertwines poetry and science, exploring not just nature but human nature itself. The author is likened to Orpheus, venturing into dark depths and returning to share haunting insights. This work invites readers to discover hidden worlds beneath our feet, from Greenland's glaciers to underground networks connecting trees, and from ancient burial chambers to Arctic rock art. It embarks on a deep-time voyage into the planet's past and future, showcasing a remarkable exploration of landscape and the human heart. Critics praise the author for inventing a new genre and for demonstrating the beauty of brilliantly written travel literature. The book enchants and inspires, making it a treasure to revisit.

      Underland : a deep time journey
      4,2
    • The Old Ways

      A Journey on Foot

      • 448pages
      • 16 heures de lecture

      Robert Macfarlane travels Britain's ancient paths and discovers the secrets of our beautiful, underappreciated landscape. Following the tracks, holloways, drove-roads and sea paths that form part of a vast ancient network of routes criss-crossing the British Isles and beyond, Robert Macfarlane discovers a lost world - a landscape of the feet and the mind, of pilgrimage and ritual, of stories and ghosts; above all of the places and journeys which inspire and inhabit our imaginations.

      The Old Ways
      4,2