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David Scott Kastan

    David Scott Kastan est un érudit de premier plan dans le domaine de la littérature shakespearienne. En tant que l'un des rédacteurs en chef d'Arden Shakespeare, il contribue de manière significative à une compréhension et une interprétation plus approfondies des œuvres de Shakespeare. Son travail académique se concentre sur l'analyse critique et le contexte littéraire, offrant aux lecteurs de nouvelles perspectives sur des textes classiques. L'influence de Kastan sur les études shakespeariennes contemporaines est considérable.

    The book in history, the book as history
    On Color
    Shakespeare and the Book
    Shakespeare After Theory
    A Will to Believe: Shakespeare and Religion
    Paradise Lost
    • This epic is Milton's most famous work, employing the heterodox theology later expounded in De Doctrina Christiana.

      Paradise Lost
    • 3,8(15)Évaluer

      Exploring the intersection of religion and literature, this revised edition delves into how spiritual themes invigorate Shakespeare's works. Drawing from Kastan's 2008 Oxford Wells Shakespeare Lectures, it offers a thought-provoking analysis of the playwright's engagement with faith, belief, and the human condition, inviting readers to reconsider the significance of religious elements in his plays.

      A Will to Believe: Shakespeare and Religion
    • Shakespeare After Theory

      • 264pages
      • 10 heures de lecture
      3,6(11)Évaluer

      This book, first published in 1999, delves into significant themes and concepts relevant to its field, offering insights that remain pertinent today. It is part of Routledge's esteemed catalog, reflecting a commitment to scholarly excellence. The content is designed to engage readers with its thorough analysis and thought-provoking discussions, making it a valuable resource for students and professionals alike.

      Shakespeare After Theory
    • Shakespeare and the Book

      • 184pages
      • 7 heures de lecture
      3,6(29)Évaluer

      Focusing on the evolution of Shakespeare's works, the book explores their transformation from performance scripts to literary texts and their rise as central figures in the English literary canon. Kastan delves into the motivations of Shakespeare's early publishers and the contradictions of the eighteenth century, where adaptations thrived alongside scholarly efforts to preserve original texts. Additionally, it highlights the potential of electronic media to engage new audiences with Shakespeare's legacy, making significant contributions to textual scholarship and drama theory.

      Shakespeare and the Book
    • On Color

      • 272pages
      • 10 heures de lecture
      3,8(504)Évaluer

      A brilliant and bold look at the role of color in our lives

      On Color
    • The book in history, the book as history

      • 417pages
      • 15 heures de lecture

      The essays in this collection reach beyond book history to address fundamental questions about historicism with a broad range of issues such as gender and sexuality, religion, political theory, economic history, adaptation and appropriation, and quantitative analysis and digital humanities.

      The book in history, the book as history