Zheng Liu Livres

In 1994, Chinese artist Liu Zheng conceived of an ambitious photographic project called The Chinese, which occupied him for seven years and carried him throughout China. Inspired by the examples of August Sander and Diane Arbus, he has captured a people and country in a unique time of great flux, providing a startling vision of the deep-rooted historical forces and cultural attitudes that continue to shape China and its people. Liu seeks out moments in which archetypal Chinese characters are encountered in extreme and unexpected situations. His photographs are divided among a number of topics which betray a dark vision, albeit one that is laced with mordant humor. His main subjects to date have included street eccentrics, homeless children, transvestite performers, provincial drug traffickers, coal miners, Buddhist monks, prison inmates, Taoist priests, waxwork figures in historical museums, and the dead and dying. This is the first monograph of his work to appear outside of China and accompanies Between Past and Future: New Photography and Video from China, a major exhibition at the International Center of Photography, New York.

Magic of Lines displays the line's rich diversification in forms, and its vehement and unique expressiveness in illustrated works. It includes elaborate introductions as well as interviews with ten of the most talented illustrators specialising in line work from around the world.

This pioneering text/reference presents a detailed focus on the use of machine vision techniques in industrial inspection applications. An internationally renowned selection of experts provide insights on a range of inspection tasks, drawn from their cutting-edge work in academia and industry, covering practical issues of vision system integration for real-world applications. Topics and features: presents a comprehensive review of state-of-the-art hardware and software tools for machine vision, and the evolution of algorithms for industrial inspection; includes in-depth descriptions of advanced inspection methodologies and machine vision technologies for specific needs; discusses the latest developments and future trends in imaging and vision techniques for industrial inspection tasks; provides a focus on imaging and vision system integration, implementation, and optimization; describes the pitfalls and barriers to developing successful inspection systems for smooth and efficient manufacturing process.

Liu Zheng (born 1969) is one of the few Chinese photographers whose work has reached the West. The exhibition of his extensive series The Chinese at ICP in New York in 2004 and the accompanying publication indicated he was working on the borders between the documentary tradition and the extended portrait school of August Sander. His background on the Workers’ Daily suggests his grounding as a photojournalist. Yet Liu Zheng’s vision does not echo the common view of China, characterized by anonymity in the sheer mass of the population, or by the momentum of industry. Frequently the subjects of his portraits are those on the fringes of Chinese society. Dream Shock brings us to another space that exists in the mind itself. Some of the characters, such as a Peking Opera singer, may be half-familiar, but the historical references to occupation and the sexual explicitness take us into unprecedented territory.