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Rachel Phillips

    Rachael Phillips a débuté une carrière d'écrivaine imprévue, commençant par des articles pour le bulletin paroissial à la demande de la secrétaire de l'église. Depuis, elle a publié plus de 400 écrits, comprenant des articles, des chroniques de journaux, des dévotions et des nouvelles, ainsi que plusieurs livres. L'œuvre de Phillips se caractérise par sa voix distinctive et son exploration perspicace de l'expérience humaine. Les lecteurs apprécient son style accessible et la profondeur qu'elle apporte à ses récits.

    Children of the Mire
    Well with my Soul
    • Well with my Soul

      • 208pages
      • 8 heures de lecture
      4,0(52)Évaluer

      People need inspiration like never before--stories of legendary, faith-filled heroes who met amazing obstacles with courage and even joy...stories of godly men and women who changed the world. Barbour's Heroes of the Faith series--in a new format at a new lower price--will inspire readers with the bravery, commitment, perseverance, and wisdom of these great Christian leaders.

      Well with my Soul
    • Children of the Mire

      Modern Poetry from Romanticism to the Avant-Garde, New and Enlarged Edition

      • 193pages
      • 7 heures de lecture

      Octavio Paz launches a far-ranging excursion into the "incestuous and tempestuous" relations between modern poetry and the modern epoch. From the perspective of a Spanish-American and a poet, he explores the opposite meanings that the word "modern" has held for poets and philosophers, artists, and scientists. Tracing the beginnings of the modern poetry movement to the pre-Romantics, Paz outlines its course as a contradictory dialogue between the poetry of the Romance and Germanic languages. He discusses at length the unique character of Anglo-American "modernism" within the avant-garde movement, and especially vis-a-vis French and Spanish-American poetry. Finally he offers a critique of our era's attitude toward the concept of time, affirming that we are at the "twilight of the idea of the future." He proposes that we are living at the end of the avant-garde, the end of that vision of the world and of art born with the first Romantics.

      Children of the Mire