Ralph Keyes Livres

Exploring the origins and accuracy of popular quotations, this book delves into well-known misquotes like "Nice guys finish last" and "Play it again, Sam," alongside lesser-known phrases such as "Ain't I a woman?" and "Golf is a good walk spoiled." It uncovers the truth behind frequently cited sayings, including "The opera ain't over till the fat lady sings" and "Make my day," providing readers with a deeper understanding of language and its evolution.

"Nearly a century after his death, the wit of Oscar Wilde remains as fresh and barbed as ever. This collection of his works, letters, reviews, anecdotes and repartee is ample proof of this iconoclast's enduring place in the world of arts and letters." --Descripción del editor

The book explores the intertwined relationship between success and failure in the pursuit of innovation. Farson and Keyes emphasize that both experiences are essential for achievement, challenging the traditional view that they are opposites. By examining the journeys of renowned innovators like Edison and Gates, the authors highlight the importance of embracing failure as a vital component of the creative process. Readers are encouraged to adopt a mindset that fosters resilience and risk-taking, ultimately enhancing their capacity for innovation.

The Courage to Write is an invaluable book and essential reading for anyone who wishes to learn how to write well.Katherine Anne Porter called courage the first essential for a writer. I have to talk myself into bravery with every sentence, agreed Cynthia Ozick, sometimes every syllable. E. B. White said he admired anyone who has the guts to write anything at all.An author who has taught writing for more than thirty years,In The Courage to Write, Ralph Keyes, an author who has taught writing for more than thirty years, assures us that anxiety is felt by writers at every level, especially when they dare to do their best. He describes the sequence of courage points through which all writers must pass, from the challenge of identifying a worthwhile project to the mixture of pride and panic they feel when examining a newly published book or article.Keyes also offers specifics on how to root out dread of public performance and of the judgment of family and friends, make the best use of writers' workshops and conferences, and handle criticism of works in progress. Throughout, he includes the comments of many accomplished writers -- Pat Conroy, Amy Tan, Rita Dove, Isabel Allende, and others -- on how they transcended their own fears to produce great works.

In 1889, the editor of the San Francisco Examiner, having accepted an article from Rudyard Kipling, informed the author that he should not bother to submit any more. "This isn't a kindergarten for amateur writers," the editor wrote. "I'm sorry, Mr. Kipling, but you just don't know how to use the English language." A century later, John Grisham was turned down by sixteen agents before he found representation-and it was only after Hollywood showed an interest in The Firm that publishers began to take him seriously.The anxiety of rejection is an inevitable part of any writer's development. In this book, Ralph Keyes turns his attention from the difficulty of putting pen to paper-the subject of his acclaimed The Courage to Write -to the frustration of getting the product to the public. Inspiration isn't nearly as important to the successful writer, he argues, as tenacity, and he offers concrete ways to manage the struggle to publish. Drawing on his long experience as a writer and teacher of writing, Keyes provides new insight into the mind-set of publishers, the value of an agent, and the importance of encouragement and hope to the act of authorial creation.

Politicians aren't the only ones who lie. The bestselling author of "Is There Life After High School?" explains America's unusually high tolerance for deceit.

Today's eighteen-year-olds may not know who Mrs. Robinson is, the size of a breadbox, or why going postal refers to a major uproar. Such "retroterms" are words or phrases whose origin lies in our past. I Love It When You Talk Retro discusses these verbal fossils that linger in our national conversation long after the topic they refer to has galloped into the sunset. That could be a person (Charles Ponzi), product (Edsel), radio show (Gang Busters), or ad slogan ("Cha-ching!"). How many realize that cooties was World War I slang for lice, or that doofus came from the comic strip Popeye? Ralph Keyes takes us on an illuminating and engaging tour through what he calls retrotalk. This journey along the highways of history and byways of culture is an invaluable handbook for anyone who's ever wondered about an obscure word or phrase, "I wonder where that came from?" Ralph Keyes's book answers that question. Repeatedly. And is a lot of fun to read.

Written by one of the country's most experienced and entertaining etymological detectives, The Hidden History of Coined Words provides a delightful excavation into the process by which words became minted. Not only does Ralph Keyes give us the who-what-where of it all, but delights in stories that reveal the mysteries of successful coinage.

W 2016 roku, kiedy Wielką Brytanię przemierzał brexitowy czerwony autobus, a amerykańscy fact-checkerzy nie nadążali za sprostowywaniem wypowiedzi Donalda Trumpa, coś się zmieniło. Obserwatorzy po obydwu stronach oceanu jednoznacznie stwierdzili – prawda i fałsz nie mają już znaczenia. Nastały czasy postprawdy. Wydana w 2004 roku książka Keyesa jest jednocześnie przepowiednią i odpowiedzią na pytanie o stan dzisiejszej debaty publicznej. Przyglądając się historii kłamstwa, Keyes stwierdza jednoznacznie – ludzie kłamali od zawsze i prawdopodobnie już zawsze będą kłamać. Tym, co różni nas od naszych przodków, jest fakt, że współcześni kłamcy bardzo rzadko ponoszą konsekwencje swoich oszustw. Wręcz przeciwnie: moment, w którym zostają zdemaskowani, bardzo często okazuje się początkiem ich zawrotnej kariery. Jak pokazuje Keyes, kłamstwo nie jest domeną jedynie kryminalistów czy świata rozrywki – równie często z prawdą mijają się dziennikarze, akademicy, prawnicy i polityce. Wśród postaci opisywanych przez Keyesa znaleźli się wszyscy: od literaturoznawcy Paula de Mana, przez dziennikarza Jaysona Blaira aż do prezydentów Stanów Zjednoczonych – Richarda Nixona, Lyndona B. Johnsona, Ronalda Reagana i Billa Clintona. Diagnoza Keyesa jest niepokojąca, a jej efekty obserwujemy dzisiaj. Jeśli prawda przestaje być naszym domyślnym wyborem, nie możemy nikomu zaufać. A bez zaufania – przekonuje Keyes – nie mamy szans na stworzenie społeczeństwa. Informacja o autorze/ redaktorze: Ralph Keyes (ur. 1945) – nauczyciel, wykładowca i pisarz; autor kilkunastu książek, które uczyniły go rozpoznawalnym w Stanach Zjednoczonych. Jego bestsellerowa Is There Life After High School z 1976 roku została zaadaptowana jako musical wystawiany na Brodwayu. Natomiast wydana w 1995 roku The Courage to Write stała się klasycznym poradnikiem dla aspirujących pisarzy. W 2016 roku świat po raz kolejny zainteresował się wydaną w 2004 roku The Post-Truth Era. Dishonesty and Deception in Contemporary Life.