James Norcliffe Livres

The title of James Norcliffe’s tenth poetry collection points deftly to the way it conveys big emotions without cracking a smile or shedding a tear. In Deadpan, Norcliffe writes in an alert, compassionate yet sceptical voice. The book’s first section, ‘Poor Yorick’, shares the thoughts of an introspective narrator as he contends with the travails of later life. ‘In his hospital pyjamas’, Yorick is by turns cheerful and beset by loss, laughing and weeping, comparing the stages of life (and death). The following sections – ‘Scan’, ‘Trumpet Vine’, ‘Telegraph Road’ and ‘Travellers in a small Ford’ – reach around to mine experience in a world where ‘nothing lasts’; not childhood, place nor identity. An appropriate response to this ephemeral world is to embrace ambiguity, uncertainty, absurdity and surrealism. ‘Deadpan,’ writes the author in his introductory essay, ‘is the porter in Macbeth pausing to take a piss while there is that urgent banging at the gate. It is Buster Keaton standing unmoved as the building crashes down on top of him. It is my poker-faced Yorkshire grandfather playing two little dicky birds sitting on the wall.’ These poems are concise and contained, using supple, precise language and a gleam of dry and mordant wit. Deadpan is the work of a mature and technically astute poet who is one of New Zealand’s leading writers.

Having grown up in a miserable home for abandoned children, a young boy jumps at the chance to exchange places with the mysterious, flying "loblolly boy," but once he takes on this new identity, he discovers what a harsh price he must pay.

Believable fantasy novel by an award-winning author for 8 to 12-year-olds - grounded in the here and now and charged with a dangerous, menacing edge. A flute that will only play one mysterious song? A strange old man in a wheel chair somehow rejuvenated by this music? A leap from a window into a strange and often frightening world where nobody can be trusted and from which there seems to be no escape? NZ Post Children's Book Award-winning author James Norcliffe's The Enchanted Flute sweeps Becky Pym and Johnny Cadman from the realities of modern day school and the suburbs into an ancient Arcadian world where an old battle is about to be reignited. The flute Becky's mother bought at a pawn shop proves to be a catalyst, a prize all forces seek. Lost, pursued, Becky and Johnny are swept along by events out of their control until the final confrontation between ancient enemies.

In this wry and witty collection - addressed to the first interstellar object ever to be detected in our solar system - James Norcliffe applies a cool, clear eye to human life on Earth. Our foibles and absurdities are laid bare, but so too is the human capacity for love, desire, sorrow and regret.Norcliffe' s succinct observations traverse the personal and the political. Grounded in the local but encompassing the global, they range through subjects such as commuting, insomnia and faltering health to the contemplation of current events and issues such as gun violence and climate change. The landscapes and settings of these poems are vividly evoked, often in terms of human impact. Birds, ' knowing what we are' , take flight at the approach of a person; a coal range is the acknowledged centre of a West Coast family' s survival.Often very funny, and always deeply felt, Norcliffe' s Letter to 'Oumuamua describes a world where every day is both everyday - gritty, material, bread-and-butter - and also luminous and precious: a ' day like no other' .