Kevin Brownlow Ordre des livres (chronologique)

Greta Garbo named him her favorite director, and actors felt at ease under his guidance, delivering powerful performances. Clarence Brown (1890–1987), an Academy Award-nominated director, collaborated with Hollywood legends like Clark Gable, Joan Crawford, and Katharine Hepburn. Dubbed the "star maker," he nurtured Elizabeth Taylor's early career and discovered Academy Award-winning child star Claude Jarman Jr. for The Yearling (1946). Over his career, he directed more than fifty films, including Possessed (1931), Anna Karenina (1935), and National Velvet (1944), captivating audiences with glamorous narratives, family tales, and hard-hitting dramas. Despite admiration from peers like Jean Renoir and Frank Capra, Brown's contributions to classic cinema remain underappreciated. This first full-length account of his life and career reveals how his hardworking family influenced his entrepreneurial spirit. Initially an engineer and World War I aviator, he abandoned a successful car dealership in Alabama to pursue filmmaking. Known for his innovative lighting and composition, Brown was nominated for five Academy Awards and directed ten actors in Oscar-nominated roles. Despite his significant impact, he has largely been overlooked by film scholars. This exploration delves into the complexities of a man who left an indelible mark on cinema.

Best remembered as "America's Sweetheart," silent-film star Mary Pickford (1892-1979) was once the most famous woman in the world, a genuine American folk heroine adored by the masses for two decades. Yet today's audiences have little knowledge of the more than fifty feature films she made during her remarkable career, let alone her enormous behind-the-scenes power in early Hollywood. A pioneering independent star/producer and cofounder of United Artists with Charlie Chaplin. D. W. Griffith, and her husband Douglas Fairbanks, Pickford exercised complete control over her films and earned the loyalty of her collaborators, who were among the best of the industry's early directors, cinematographers, and screenwriters. Selected from the collection of the Academy of Motion Picture Arts and Sciences's Margaret Herrick Library especially for this book, the rare film stills, production shots, and personal photographs - most never before published - reveal Pickford's great versatility as an actress and attest to the high quality of her productions. The text is full of entertaining anecdotes about the star and her circle, offering a window into the process of filmmaking in the silent era.

Silent films are sometime dismissed as quaint or out of date because of their jerky, scratchy quality: this book, and the Thames Television series with which it is associated, set out to show that they were, in fact, beautiful as well as vastly entertaining works of art. Kevin Brownlow, with the help of John Kobal and his unique collection of early stills, recaptures the legendary days of film-makers like Cecil B. DeMille, King Vidor, Erich Von Stroheim and D. W. Griffith, of stars like Garbo, the Barrymores, Gloria Swanson, Keaton, Chaplin and Valentino. The early days of Hollywood must be among the most adventurous, extravagant and triumphant that the world of entertainment has ever known. From the first tentative essays of a few bold innovators, Hollywood blossomed almost overnight into a major industry, breeding millionaires and bankrupts, making outrageous demands on those who served it, producing in those early years some of the supreme triumphs of the movie-maker's art. HOLLYWOOD: THE PIONEERS tells the story as never before. Kevin Brownlow, who, with David Gill, directed the Thames Television series, marshals his great knowledge of the subject with lucidity and wit: the photographs - almost all taken from originals and many never seen before - are dramatically beautiful. This is a book which anybody interested in the cinema or who has seen the television series on which it is based will wish to acquire and cherish.