Catherine Fletcher se spécialise dans l'illumination de moments historiques cruciaux et de leurs répercussions sociétales. Son travail se distingue par une recherche approfondie et une lentille analytique pointue appliquée au passé. Fletcher explore les relations et décisions complexes qui ont façonné l'histoire, les rendant accessibles et captivantes pour le lecteur. Sa prose distinctive reflète sa formation universitaire et un engagement profond à découvrir des récits inédits.
Focusing on Rome as Europe's pivotal political center from 1450 to 1530, this comprehensive study delves into the intricacies of Renaissance diplomacy. It explores the strategies, relationships, and conflicts that defined the era, providing insights into how diplomacy shaped political landscapes and influenced power dynamics in Europe during this transformative period.
"The Italian Renaissance shaped western culture--but it was far stranger and darker than many of us realise. We revere Leonardo da Vinci for his art but few now appreciate his ingenious designs for weaponry. We know the Mona Lisa for her smile but not that she was married to a slave-trader. We visit Florence to see Michelangelo's David but hear nothing of the massacre that forced the republic's surrender. In focusing on the Medici in Florence and the Borgias in Rome, we miss the vital importance of the Genoese and Neapolitans, the courts of Urbino and Mantua. Rarely do we hear of the women writers, Jewish merchants, the mercenaries, engineers, prostitutes, farmers and citizens who lived the Renaissance every day. In fact, many of the most celebrated artists and thinkers that have come to define the Renaissance--Leonardo and Michelangelo, Raphael and Titian, Machiavelli and Castiglione--emerged not during the celebrated 'rebirth' of the fifteenth century but amidst the death and destruction of the sixteenth century. For decades, a series of savage wars dominated Italy's political, economic and daily life, generating fortunes and new technologies, but also ravaging populations with famine, disease and slaughter. In this same short time, the birth of Protestantism, Spain's colonisation of the Americas and the rise of the Ottoman Empire all posed grave threats to Italian power, while sparking debates about the ethics of government and enslavement, religious belief and sexual morality. In 'The Beauty and the Terror,' Catherine Fletcher provides an enrapturing narrative history that brings all of this and more into view. Brimming with life, it takes us closer than ever before to the lived reality of this astonishing era and its meaning for today"-- Provided by publisher
The year is 1531. After years of brutal war and political intrigue, the bastard son of a Medici Duke and a 'half-negro' maidservant rides into Florence. Within a year, he rules the city as its Prince. Backed by the Pope and his future father-in-law the Holy Roman Emperor, the nineteen-year-old Alessandro faces down bloody family rivalry...
Set against the backdrop of war-torn Renaissance Italy, The Divorce of Henry VIII combines a gripping family saga with a highly charged political battle between the Tudors and the Vatican to reveal the extraordinary true story behind history's most infamous divorce.
Selected as a Book of the Year 2016 in The Evening Standard In The Black Prince of Florence, a dramatic tale of assassination, spies and betrayal, the first retelling of Alessandro's life in two-hundred years opens a window onto the opulent, cut-throat world of Renaissance Italy.
'Brilliant and gripping, here is the full true Renaissance in a history of compelling originality and freshness' Simon Sebag Montefiore LONGLISTED FOR THE HWA NON-FICTION CROWN 2020 The Italian Renaissance shaped Western culture - but it was far stranger and darker than many of us realise. We know the Mona Lisa for her smile, but not that she was married to a slave-trader. We revere Leonardo da Vinci for his art, but few now appreciate his ingenious designs for weaponry. We visit Florence to see Michelangelo's David, but hear nothing of the massacre that forced the republic's surrender. In fact, many of the Renaissance's most celebrated artists and thinkers emerged not during the celebrated 'rebirth' of the fifteenth century but amidst the death and destruction of the sixteenth century. The Beauty and the Terror is an enrapturing narrative which includes the forgotten women writers, Jewish merchants, mercenaries, prostitutes, farmers and citizens who lived the Renaissance every day. Brimming with life, it takes us closer than ever before to the reality of this astonishing era, and its meaning for today. 'Terrifying and fascinating' Sunday Times 'Enlightening...exactly the alternative history you might wish for' Daily Telegraph
Gregorio 'The Cavalier' Casali is Henry VIII's man in Rome. Lavish ceremony and glamorous parties stand in contrast to the daily strains of embassy life, as Casali pawns family silver to pay the bills, fights off rapacious in-laws and defends himself in the face of Anne Boleyn's wrath.
Brimming with life and drama, this is the first book to explore two thousand years of European history through one the greatest imperial networks ever built 'erudite, entertaining and infinitely readable' HELENA ATTLEE 'a magical and informative ode' MICHAEL SCOTT 'a must-read for tourists and armchair travellers alike' ROSS KING 'an essential guide to the many hidden layers of history beneath our feet' KELCEY WILSON-LEE 'All roads lead to Rome.' It's a medieval proverb, but it's also true: today's European roads still follow the networks of the ancient empire, as Rome's extraordinary legacy continues to grip our imaginations. Over the two thousand years since they were first built, the roads have been walked by crusaders and pilgrims, liberators and dictators, but also by tourists and writers, refugees and artists. As channels of trade and travel, and routes for conquest and creativity, Catherine Fletcher shows how the roads forever transformed the cultures, and intertwined the fates, of a vast panoply of people across Europe and beyond. Reflecting on his own walk on the Appian Way, Charles Dickens observed that here is 'a history in every stone that strews the ground.' Based on outstanding original research, and brimming with life and drama, this is the first book to explore two thousand years of history through one of the greatest imperial networks ever built.