Naomi Greene Livres

The French New Wave was perhaps the biggest―and briefest―explosion in the history of world cinema, with more than hundred French directors shooting debut features between 1958 and 1964. Its aftershocks are still being felt today. Through the work of such directors as Jean-Luc Godard and François Truffaut, filmmakers came to be seen as outstanding artists rather than mere studio technicians, paving the way for contemporary cinematic auteurs such as Martin Scorsese, Pedro Almodóvar, and Luc Besson. This volume begins by tracing the social and cultural changes of postwar France that gave birth to the New Wave then examines in detail the careers of artists like Alain Renais and Jean-Luc Godard. The French New A New Look is a concise and accessible account of a crucial movement in film history.

Exploring the evolution of China's portrayal in American cinema, this book examines films from the silent classic Broken Blossoms to the animated Kung Fu Panda. It delves into the complex and often contradictory perceptions of China, highlighting how these films reflect deeper cultural and historical tensions. By navigating through unconventional narratives, the book reveals the multifaceted relationship between America and China, showcasing the diverse emotional and ideological responses elicited by these cinematic representations.

Exploring the obsession with national identity, the book delves into how postwar French cinema has grappled with the trauma of historical events since the late 1960s. Naomi Greene analyzes the erosion of grandeur in French identity, focusing on key moments such as the political struggles of the 1930s, the Vichy regime, and decolonization. By examining a diverse range of films and directors, she reveals how these cinematic representations have shaped contemporary concerns and influenced the collective memory of France.

Focusing on the multifaceted life of Pier Paolo Pasolini, this book delves into his roles as a filmmaker, poet, and political commentator. Naomi Greene highlights Pasolini's controversial status in postwar Europe, analyzing his films within the rich context of his evolving ideas and tumultuous personal life. The narrative explores his atheism, criticism of radical movements, and complex relationship with his homosexuality, portraying him as an authentic heretic who challenged societal norms and conventions throughout his life until his tragic death in 1975.

Teaching Epidemiology offers guidance for educators, emphasizing the importance of expertise and effective teaching strategies. The revised fourth edition includes insights from expert teachers, updated research, and methodologies, covering key concepts and specific issues to enhance epidemiology courses for both undergraduate and postgraduate students.