Clare Wallace Livres

Mapping the state of contemporary theatre from the 1990s to the present, this volume focuses upon the work of six major dramatists to emerge at the beginning of the 21st Marina Carr, Martin McDonagh, Conor McPherson, Sarah Kane, Mark Ravenhill, and David Greig. "This book is an achievement for what it tells us about individual playwrights, with sensitive judgements of each writer's oeuvre, as well as how they stand side by side. Wallace generously includes other critics' work on each playwright; indeed, this is a feature so that the book is a comprehensive study of the critical field, as well as a measured consideration of the primary work." --Emilie Pine, Irish University Review "Wallace's analysis straddles diverse theoretical perspectives, presenting evidence of complex textual practices in many works of the 'New Drama.' Suspect Cultures is a self-assured study that profiles some of the most significant plays of the last fifteen years, while articulating and explaining

This Critical Companion provides an analytical survey of his work, from his early plays such as Europe and The Architect through to more recent works Damascus, Dunsinane and Ramallah; it also considers the plays produced with Suspect Culture and his work for young audiences. As such it is the first book to provide a critical account of the full variety of his work and will appeal to students and fans of contemporary British theatre. Clare Wallace provides a detailed analysis of a broad selection of plays and their productions, reviews current discourses about his work and offers a framework for enquiry. The Companion features an interview with David Greig and a further three essays by leading academics offering a variety of critical perspectives. -- Publisher website.

This collection brings together the best of Northern Irish playwright Stewart Parker’s literary prose and journalism. These writings showcase his anticipation and knowledge of the changing cultural conditions of theater life and play-making in the closing decades of the twentieth-century. Alongside this alert cosmopolitan sensibility, Parker’s experience of living in and through Belfast’s self-inflicted wounding made him keenly aware of what happens when politics fails to deliver a democratic answer to the contradictory beliefs of ordinary citizens. His innate skepticism about politics is etched herein with feisty and unambivalent vigor.

Global Ireland brings together a selection of critical essays by the leading critics of Irish literature writing today. Contributors include Richard Kearney, Thomas Docherty, Jose Lanters, Jason King, and Rajeev Patke.

Stewart Parker is one of Northern Ireland’s most witty, eloquent, and astute playwrights, yet his work for television is little known. This collection gathers, for the first time, the bulk of his television drama, offering a unique and exciting opportunity to encounter another dimension to Parker’s oeuvre. The plays in this volume exhibit the range and variety of his drama, which combines comedy and tragedy, the challenge of political and social themes, and the exuberance of pure fantasy.

Monologue is to be found across the spectrum of modern and postmodern theatre and drama, from Samuel Beckett and Harold Pinter to Karen Finley and Spalding Gray. The theatre of monologue revolves around the ambiguities of narrative as a means of knowing and communicating, and is conditioned by dubious authenticity. This collection will bring together original essays on monologue by theatre scholars and practitioners that address the complexities of the form as it appears in contemporary drama and performance. "Mapping a territory where both the theoretically grounded approaches and the analytical probings suggest the need for the constant redefinition of signposts, Theatre, Performance, Subjectivity is an unquestionably important contribution to drama/theater/performance studies regarding its richness of viewpoints and apparent capacity to inspire further research. For critics, scholars, students, and theatergoers the carefully selected and edited material of the volume promises to remain a valuable asset in spite of the few redundancies and occasionally less fruitful arguments it contains. Elegantly produced by Litteraria Pragensia at Prague University, Wallace's collection is part of a recently launched series that keeps on making itself more and more distinguished through interesting as well as challenging publications like this one. Watching out for future offerings by Pragensia is certainly worthwhile." --Maria Kurdi Comparative Drama Mateusz Borowski & Malgorzata Sugiera, David Bradby, Daniela Jobertova, Mark Berninger, Laurens De Vos, Eamonn Jordan, Dee Heddon, Catharine McLean-Hopkins, Rebecca D'Monte, Jorge Huerta & Ashley Lucas, Brian Singleton, Eckart Voigts-Virchow & Mark Schreiber, Johannes Birringer. Clare Wallace is a lecturer at Charles University and at the University of New York, Prague. She has published on Joyce, Marina Carr, Patrick McCabe and contemporary Irish and British drama.