Christopher Marlowe Livres

Par le maître et rival de Shakespeare, une pièce de 1593 qui inaugure "l'un des grands mythes de l'ère moderne" (cf. la présentation, p. 9-38). Il existe deux versions de la pièce, la version A date de 1604 et la version B, plus abondante, de 1616. L'édition repose sur un travail synthétique: version B + les 36 lignes de la version A non reprises dans la version B + en annexe, p. 272-297, les variantes du texte A quand il diffère trop de B. Sept pages de notes. [SDM].

Their texts fully restored by recent scholarship, Marlowe's astonishing works can now be appreciated as originally written. This edition includes all of Marlowe's plays, including two versions of Doctor Faustus

The essential lyric works of the great Elizabethan playwright newly revised and updated Though best known for his plays and for courting danger as a homosexual, a spy, and an outspoken atheist Christopher Marlowe was also an accomplished and celebrated poet. This long-awaited updated and revised edition of his poems and translations contains his complete lyric works from his translations of Ovidian elegies to his most famous poem, The Passionate Shepherd to His Love, to the impressive epic mythological poem Hero and Leander.

Christopher Marlowe (1564-1593), a man of extreme passions and a playwright of immense talent, is the most important of Shakespeare's contemporaries. This edition offers his five major plays, which show the radicalism and vitality of his writing in the few years before his violent death. Tamburlaine Part One and Part Two deal with the rise to world prominence of the great Scythian shepherd-robber; The Jew of Malta is a drama of villainy and revenge; Edward II was to influence Shakespeare's Richard II. Doctor Faustus, perhaps the first drama taken from the medieval legend of a man who sells his soul to the devil, is here in both its A- and its B- text, showing the enormous and fascinating differences between the two. Under the General Editorship of Dr. Michael Cordner of the University of York, the texts of the plays have been newly edited and are presented with modernized spelling and punctuation. In addition, there is a scholarly introduction and detailed annotation.

This classical work explores the tragic tale of Dido, the Queen of Carthage, capturing themes of love, betrayal, and fate. Recognized for its historical significance, the text has been meticulously reformatted and retyped to ensure clarity and readability, making it accessible for contemporary readers. Alpha Editions aims to preserve this important piece of literature for future generations, presenting it in a modern format that honors its original essence while enhancing the reading experience.

The relationship between King Edward and his favorite nobleman, Piers Gaveston, forms the core of this historical drama. Edward's decision to pardon Gaveston upon ascending the throne ignites conflict with his supporters, ultimately leading to his downfall. Christopher Marlowe's portrayal captures the intense political and personal struggles of the era, making it one of the earliest significant plays focused on English history. The narrative explores themes of power, loyalty, and the consequences of personal relationships in a royal context.

Tamburlaine the Great, Part One and Part Two are the first plays that Christopher Marlowe wrote for London’s then new freestanding, open-air public playhouses. They trace the progress of Tamburlaine, a Central Asian leader, as he “scourge[s] kingdoms with his conquering sword” and rises to imperial power. The plays were a powerful beginning to Marlowe’s brief career as a public theatre dramatist: the brutally masculine and martial main character immediately captured audiences, and the plays were widely imitated and parodied. Even four hundred years later, Marlowe’s Tamburlaine remains a shocking and seductive figure. The introduction and historical appendices to this new Broadview Edition provide many avenues for readers to understand these plays, presenting other portrayals of Islam from the period, related lives of Tamburlaine from other writers, and material on Marlowe’s scandalous reputation.

Doctor Faustus is the most brilliant scholar of his day. He has studied hard and is now master of all areas of learning. However, he wants something more, so he enters into an agreement with the Devil. He agrees to sell his soul in return for twenty-four years of knowledge, power and riches, which only brings him despair and terror as he realises the full implication of his impulsive action.

The spirit of Machiavelli presides over The Jew of Malta, in which the title character relentlessly plots to maintain and extend his political influence and wealth. A paragon of remorseless evil, Barabas befriends and betrays the Turkish invaders and native Maltese alike, incites a duel between the suitors for his daughter's hand, and takes lethal revenge upon a convent of nuns.Both tragedy and farce, this masterpiece of Elizabethan theater reflects the social and political complexities of its age. Christopher Marlowe's dramatic hybrid resonates with racial tension, religious conflict, and political intrigue — all of which abounded in 16th-century England. The playwright, who infused each one of his plays with cynical humor and a dark world view, draws upon stereotypes of Muslim and Christian as well as Jewish characters to cast an ironic perspective on all religious beliefs.The immediate success of The Jew of Malta on the Elizabethan stage is presumed to have influenced Marlowe's colleague, William Shakespeare, to draw upon the same source material for The Merchant of Venice . The character of Barabas is the prototype for the well-known Shylock, and this drama of his villainy remains a satirical gem in its own right.

Christopher Marlowe's story of a Scythian shepherd who through using his brutality, lust for power and also his charm becomes a mighty conqueror and the King of Persia. schovat popis