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Pierre Rosenberg

    Pierre Rosenberg a consacré sa carrière à la recherche historico-artistique, se concentrant principalement sur les dessins et peintures français et italiens des XVIIe et XVIIIe siècles, ainsi que sur l'histoire de la collection. Sa production prolifique comprend des centaines d'articles dans des revues savantes majeures. Il a été conservateur, puis Directeur général du Louvre, laissant une marque significative dans le monde de l'art. Son expertise et son dévouement à l'art en font une figure éminente de l'histoire de l'art.

    Louvre : 7 centuries of painting
    Chardin
    Tout l'œuvre peint de Chardin
    La peinture française du XVIIe siècle dans les collections américaines
    Georges de La Tour
    Fragonard
    • Georges de La Tour

      Paris, Galeries nationales du Grand Palais, 3 octobre 1997-26 janvier 1998

      • 319pages
      • 12 heures de lecture

      French

      Georges de La Tour
    • Tout l'œuvre peint de Chardin

      • 128pages
      • 5 heures de lecture

      Rayon : Art Editeur : Flammarion Date de parution : 1983 Description : In-4, 128 pages, relié entoilé avec jaquette parfaite, occasion, très bon état. Envois quotidiens du mardi au samedi. Les commandes sont adressées sous enveloppes bulles. Photos supplémentaires de l'ouvrage sur simple demande. Réponses aux questions dans les 12h00. ATTENTION : Les expéditions de plus de 2 kilos se voient appliquer un supplément de port. Un envoi en Mondial Relay est possible en France et en Europe. IMPORTANT : Le service économique d'envoi de livres à l'international "livres et brochures" prendra fin au 1er juillet 2025. Clients internationaux, profitez des derniers mois de ce tarif très avantageux. N'hésitez pas à vous renseigner avant de passer commande. Librairie Le Piano-Livre. Merci. Référence catalogue X18833. Please let us know if you have any questions. Thanks

      Tout l'œuvre peint de Chardin
    • Chardin

      • 192pages
      • 7 heures de lecture

      Celebrating the 300th anniversary of the birth of Chardin (1699-1779) this new work presents an in-depth study of his still lifes and scenes of domestic life. Respected by Manet and Cezanne, an inspiration to Morandi and Soutine, Chardin was above all a man of his time.

      Chardin
      4,5
    • Louvre : 7 centuries of painting

      • 289pages
      • 11 heures de lecture

      Over 600 paintings presented in chronological order grouped by themes.

      Louvre : 7 centuries of painting
      3,9
    • France: A History in Art

      • 295pages
      • 11 heures de lecture

      A panoramic history of French artistic traditions, ranging from the prehistoric cave paintings of Lascaux to the present, is highlighted by three hundred superb full-color reproductions

      France: A History in Art
      3,9
    • This new book explores Chardin's life and works, the development of his style, and his impact on later artists. It brings together his most influential paintings and pastels, as well as little-known works. Pierre Rosenberg, director of the Louvre and an authority on Chardin, and Helene Prigent have created a book that is a celebration of one of France's treasures.

      Chardin: An Intimate Art
      3,5
    • Well-Read Cat

      • 207pages
      • 8 heures de lecture

      Cats in books, books on cats. Our feline friends' images from the Middle Ages to modern illustrations, ranging from Europe to Japan.

      Well-Read Cat
      3,7
    • Only in America

      One Hundred Paintings in American Museums Unmatched in European Collections

      • 248pages
      • 9 heures de lecture

      This book gathers together 100 paintings from every school from the 1400s to the early 1900s selected by the prominent art historian, ex-Director and current President of the Muse;e du Louvre, Pierre Rosenberg. American museums often have a work in their collections that has no equivalent in any European museum except in its country of origin. Rosenberg's selection of paintings is a personal, subjective and passionate one. In certain cases, his choice upholds that which is already time-honored and universally celebrated, and in others it draws attention to an exceptional work by an artist who is not. The author justifies his choices in the notes accompanying each of the paintings presented. As well as providing name of artist, title of work, dimensions and date, he addresses the provenance and conditions of its purchase and of its entry into the museum concerned. Quite apart from a selection that may prove debatable, this book aims to stimulate thought on the part of those who believe in the museum's dual function--educational and contemplative--and those who are inebriated by the scent of museums.

      Only in America