Philip Brookman Ordre des livres (chronologique)

Piet Mondrian behind his easel, Igor Stravinsky at his piano, Max Ernst sitting smoking on his throne-like chair: Arnold Newman's photographs are classics of portraiture. His subtle arrangements constituted the foundations of ""environmental portraiture."" His photographs integrate the respective artist's characteristic equipment and surroundings, thus indicating his or her field of activity. The enormous fame of Newman's portraits can be ascribed to their daring compositions and sometimes astounding spatial structures. The photographer's beginnings, on the other hand, were none too promising. During the Great Depression Newman had to abandon his art studies for financial reasons. Between 1938 and 1942 he concentrated on socio-documentary photography in the ghettos of West Palm Beach, Philadelphia, and Baltimore. One might think that being forced to earn his living in a photography studio would have stifled his artistic potential: Newman portrayed up to 70 clients a day. Yet he still succeeded in developing a very personal touch and establishing himself in the New York art scene of the early 1940s. His subjects included Max Ernst, Marcel Duchamp, Marc Chagall, Jackson Pollock, Willem de Kooning and Alexander Calder. With his unmistakable style, Newman became the star photographer of artists, writers and musicians.

Propaganda & Dreams is a revealing portrait of two countries, the United States and the Soviet Union of the 1930s. This thought-provoking volume includes more than 200 photographs, all, says author Leah Bendavid-Val, "generated by governments for causes that were shared by the photographers who took the pictures, the authorities who funded them, and the publishers who disseminated them." These photographs all offer impactive realism, but it is "mingled [with] romance...in varying ways and degrees."