Andrew Faulkner Livres

Contains fifteen lessons that cover the features of Adobe Photoshop CC, covering such topics as using adjusting color and tone, working with selections, rearranging layers, adding a background, painting with the mixer brush, and editing video

Through three wars across 30 years, Len Opie carved a reputation as one of the country's greatest infantrymen. A cold-eyed killer who drank nothing stronger than weak tea, he fought with his bare hands, a sharpened shovel, and piano wire. He was a larrikin who went by the book, unless the book was wrong. He set his own bar high and expected others to do the same. Stone Cold is the extraordinary story of one of Australia's most fearless fighters. It takes us into the jungles of New Guinea and Borneo and some of the fiercest battles of World War II. It goes to the cold heart of Korea, where Len emerged from the ranks to excel in the epic Battle of Kapyong and play a key role at the Battle of Maryang San. And it drops us into the center of the American counterinsurgency war in Vietnam with Len's involvement in the CIA's shadowy black ops program, Phoenix. Action-packed and surprising, Stone Cold gives rich life to a warrior soldier and one of Australia's greatest diggers.

Offering 15 comprehensive lessons, this guide delves into both fundamental and advanced techniques of Adobe Photoshop, enhancing your productivity with the software. It includes downloadable lesson files for hands-on practice and access to a Web Edition with the complete text. Additionally, instructor notes can be obtained from Pearson.com/us, making it a valuable resource for learners and educators alike.

This guide offers creative professionals a comprehensive learning experience in Adobe Photoshop through 15 project-based lessons. It covers essential techniques for correcting, enhancing, and distorting digital images, as well as creating composites and preparing images for various formats. The 2018 edition introduces new features like advanced search, Content-Aware Crop, and Face-Aware Liquify, along with enhanced brush presets and multiple artboards, making it an invaluable resource for mastering Photoshop efficiently.

A buddy-cop dramedy starring a bottle of Advil and a headache that won't quit Imagine you're standing in a room, and someone on the other side of the door won't stop knocking - ever. Welcome to Andrew Faulkner's world of the never-ending, low-grade headache, a medical issue resolved only by striking up a committed relationship with the slippery miracle that is Advil. Through direct address, sideways glances, lyrical interludes and deep consideration of what it means to overcome a condition when living is a part of the condition itself, these poems observe the speaker's world as it crowds around him, coming into sharper and specific focus, from the hard wisdom of saints on suffering and a slightly unhinged Caravaggio on the metaphysics of painting, through to the deep meaning of a hot dog and a thoroughly botched retelling of a Norm Macdonald joke. Throughout it all, Advil whirls around like an unruly tornado of a sidekick, snapping Polaroids and "searching for a cloud that resembles a plausible end-of-life scenario." Think of this collection as a meditation on how to deal with pain and uncertainty when life itself is an uncertain, painful mess. These are poems that acknowledge the shakiness of the ground we stand on. The opening poem wonders: "If you stay with the shakiness through its conjugations? Who knows." But don't worry. Advil's on the case and aims to find out.

The book offers a project-based approach to mastering Adobe Photoshop, making it ideal for creative professionals and students. It covers essential techniques for correcting, enhancing, and distorting digital images, as well as creating composites and preparing images for both print and web. With clear, step-by-step lessons, readers can quickly gain comprehensive skills in Photoshop.

Since the 1960s, the occult in film and television has responded to and reflected society's crises surrounding gender and sexuality. In Desire after Dark, Andrew J. Owens explores media where figures such as vampires and witches make use of their supernatural knowledge in order to queer what otherwise appears to be a normative world. Beginning with the global sexual revolutions of the '60s and moving decade by decade through "Euro-sleaze" cinema and theatrical hardcore pornography, the HIV/AIDS crisis, the popularity of New Age religions and witchcraft, and finally the increasingly explicit sexualization of American cable television, Owens contends that occult media has risen to prominence during the past 60 years as a way of exposing and working through cultural crises about the queer. Through the use of historiography and textual analyses of media from Bewitched to The Hunger, Owens reveals that the various players in occult media have always been well aware that non-normative sexuality constitutes the heart of horror's enduring appeal. By investigating vampirism, witchcraft, and other manifestations of the supernatural in media, Desire after Dark confirms how the queer has been integral to the evolution of the horror genre and its persistent popularity as both a subcultural and mainstream media form.

Altamont 1969 by Bill Owens presents a new and unpublished series of work, black and white photographs documenting the unique moment of the first large Rolling Stones concert at Raceway Altamont in California. This was the period of protest movements in San Francisco. Bill Owens captured the young generation's desire to stand up and raise their voice against the war in Vietnam, against segregation and racial discrimination, and against authority in general. Slogans and billboards, sit-ins and demonstrations are evidence of the cultural agitation of those years. Together with the Stones, other major rock bands appeared on stage, including Grace Slick, Jefferson Airplane, Carlos Santana and many others, while the Hells Angels were employed as security. Bill Owens has always been involved in socio-anthropological aspects of American culture and in the rise of the collective movement of protest and criticism against the misuse of power. Here, he uses photography as a kind of 'visual anthropologist', painting a fresco' of the cultural revolution that marked the entire world during the 1960s.