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Ingeborg Bachmann

    25 juin 1926 – 17 octobre 1973

    Les créations littéraires d'Ingeborg Bachmann, qu'il s'agisse de poésie, de prose, de pièces radiophoniques ou d'essais, visaient à transformer la perception et la conscience, en entraînant les lecteurs vers de nouvelles expériences, y compris celles de la souffrance. Sa représentation pénétrante de la subjectivité féminine dans une société dominée par les hommes a déclenché un changement significatif dans la réception de son œuvre. Bien qu'initialement célébrée pour sa poésie lyrique, Bachmann s'est de plus en plus tournée vers la prose, explorant l'insuffisance du monde et le désir d'un ordre nouveau et plus vrai. Ses œuvres, souvent expérimentales, révèlent des femmes endommagées par les structures patriarcales, diagnostiquant les maux de l'époque et postulant que le fascisme prend racine dans les relations interpersonnelles.

    Ingeborg Bachmann
    The German Library 94: Selected Prose and Drama
    Hölderlin vu de France
    Le dicible et l'indicible
    Les Amis du Roi des Aulnes
    Journal de guerre
    Le temps du coeur correspondance
    • A qui Ingeborg Bachmann avait-elle destiné ses Lettres à Felician ? Des éléments de réponse se trouvent dans ces pages découvertes vingt-cinq ans après la mort de la grande poétesse. Dans un journal tenu à la fin de la guerre, elle relate non seulement la vie dans sa ville natale meurtrie, mais aussi son amour pour un soldat anglais, Jack Hamesh, émigrant juif employé par la force d’occupation. La grande poétesse dira plus tard que l’été de cette rencontre fut le plus beau de sa vie. Son journal est ici suivi des lettres récemment retrouvées de Jack Hamesh.

      Journal de guerre
    • The thirtieth year

      • 181pages
      • 7 heures de lecture
      4,3(479)Évaluer

      This is collection of the stories written by a distinguished Austrian author who died in 1973. Reading these stories entails abandoning the terms of one's own comfort. The author's relentless vision demands that readers allows themselves to be hypnotised, taken over by her repetitive cadences and burning images of grief and loss. And yet, in the beauty of her images there is a tremendous affirmation of the world.

      The thirtieth year
    • First published by Zephyr Press in 2006, Darkness Spoken is the most complete volume of Ingeborg Bachmann's poetry in English and German. Considered one of the premiere poets of her generation, Bachmann's various awards include the Georg Büchner Prize, the Berlin Critics Prize, the Bremen Award, and the Austrian State Prize for literature. Darkness Spoken collects her two celebrated books of poetry, as well as the early and late poems not collected in book form. This volume also contains 129 poems released from Bachmann's archives that had never been translated before 2006. Twenty-five of them also appeared in German for the first time. Continued research by Peter Fikins on Bachmann's writing since 2006 as well as his current work on Bachmann's biography (forthcoming, Yale University Press), has afforded him the opportunity to draw even closer to Bachmann's poems and appreciate more deeply their context and meaning. For this second revised edition, roughly a quarter of the poems collected here have benefitted from revisions in word choice for the purposes of greater clarity, better syntax or rhythm, or in a few instances, corrections in punctuation and of interpretive errors. A few lacunae in the German have also been corrected, allowing this volume to remain the most complete edition of Bachmann's poetry.

      Darkness Spoken: The Collected Poems of Ingeborg Bachmann
    • Two novellas on oppression of women by men. In the first novella, the wife of a sadistic psychoanalyst leaves him to find freedom with her brother in the Egyptian desert, while the second is on an actress being exploited by a playwright. By an Austrian writer

      The Book of Franza & Requiem for Fanny Goldmann
    • Malina

      • 304pages
      • 11 heures de lecture
      4,1(3115)Évaluer

      A woman in Vienna walks a tightrope between the two men in her life. There is her lover Ivan, beautiful and unavailable, who obsesses her. And there is Malina, the civil servant with whom she shares an apartment: reserved, fastidious, exacting, chillingly calm. As the balance of power between them starts to shift, she feels her fragile identity unravelling, gradually revealing the dark, bruised heart of her past. Part detective novel, part love story, part psychoanalytic case study, Bachmann's 1971 masterpiece brings us to the broken heart of human experience, eros, neurosis and history.

      Malina