Tama Janowitz est une romancière et nouvelliste américaine célébrée pour ses représentations de la vie new-yorkaise. Son style, souvent associé au mouvement littéraire du « brat pack », explore l'essence de l'existence urbaine avec une perspective pointue. Elle aborde les thèmes de la vie moderne et de la recherche d'identité dans des environnements animés, offrant aux lecteurs un aperçu perspicace des luttes sociales et personnelles. Son écriture est appréciée pour sa franchise et sa capacité à capturer l'esprit de l'époque.
Paints a funny picture of today's male-female relationship wars, messy sex roles and romantic expectations. Pamela finds herself unwillingly in the middle of an adventure at home and abroad. The author also wrote "American Dad", "Slaves of New York" and "A Cannibal in Manhattan".
I was walking down the street and a homeless person on the corner yelled to me, 'Hey, honey - you having a bad hair day?' Welcome to the wonderful world of Tama Janowitz, New York's wittiest and deader than deadpan social scene chronicler. Littered with idiosyncratic delights and oddities, here are hilarious stories of her eighties blind date club with Andy Warhol; her brief moment of celebrity as an elderly teenage extra in a ZZ Top video; and testing as mentally retarded on an IQ test. Janowitz gives us her unique low-down on hairless dogs and ferrets, babies and Brooklyn, big hair and bad hair days - and survival tips for real life girls. Self-deprecating, funny and often touching, AREA CODE 212 is a sparkling and deeply amusing collection.
American Dad is Tama Janowitz's hilarious first novel. Through the eyes of the young Earl Przepasniak ("a name unwieldy as a tumour"), it narrates the outrageous and tender story of Mavis, poet and mother, and Robert, the American dad. Earl's life revolves around the deeply wounding split of his parents and his attempts, through a less-than-idyllic childhood and the inexorable onslaught of manhood, to overcome the irresistible force of his father. But it is only when his parents meet their respective fates that Earl can feel not only loyal and guilty, but also free...
A coterie of artists, prostitutes, saints, and seers are all aspiring towards fame and hoping for love and acceptance. Instead they find high rents, faithless partners, and dead-end careers. Offbeat, funny and bitingly satirical, "Slaves of New York" sheds an incomparable light on the city's denizens and social mores.
Set in a dystopian future, the narrative blends elements of speculative fiction with sharp social commentary, reminiscent of the works of Oryx & Crake and Douglas Coupland. It explores themes of technology, identity, and societal decay, presenting a haunting portrayal of America’s potential trajectory. The story promises to engage readers with its thought-provoking insights and vivid storytelling, inviting reflection on contemporary issues through a compelling narrative lens.
Mgungu, a South Seas islander and former cannibal, is dragged to predatory Manhattan by a young heiress.
'What was the use of living in a porn film now, at her age?' pondered Peyton Amberg, alone in a glamorous Hong Kong hotel room. At twenty, when she could have pulled a film star, she'd had no sex drive at all. Then she - and her mother - had wanted love and commitment so she married the 'nebbishy Jewish dentist' who thought she was a goddess but left her cold. Now she is on a world tour of past loves and lusty last stands which are getting to feel painfully insalubrious. As the young man she pursues in Antwerp says: 'You must be as old as my mother…Lady, you must be fifty.' Tama Janowitz manages to be both intoxicatingly funny and sobering at once in this unforgettable portrait of a woman at a crossroads. From Hong Kong to Rio, via Milan and an English country house, Peyton Amberg has pursued her flings. And now what she wants to know is, when had women taken over the man's role and why was the whole set-up so goddamn humiliating?
In this darkly funny, surprising memoir, the original "Lit Girl" and author of the era-defining Slaves of New York considers her life in and outside of New York City, from the heyday of the 1980s to her life today in a tiny upstate town that proves that fact is always stranger than fiction. With the publication of her acclaimed short story collection Slaves of New York, Tama Janowitz was crowned the Lit Girl of New York. Celebrated in rarified literary and social circles, she was hailed, alongside Mark Lindquist, Bret Easton Ellis, and Jay McInerney, as one of the original "Brat Pack" writers-a wave of young minimalist authors whose wry, urbane sensibility captured the zeitgeist of the time, propelling them to the forefront of American culture. In Scream, her first memoir, Janowitz recalls the quirky literary world of young downtown New York in the go-go 1980s and reflects on her life today far away from the city indelible to her work. As in Slaves of New York and A Certain Age, Janowitz turns a critical eye towards life, this time her own, recounting the vagaries of fame and fortune as a writer devoted to her art. Here, too, is Tama as daughter, wife, and mother, wrestling with aging, loss, and angst, both adolescent (her daughter) and middle aged (her own) as she cares for a mother plagued by dementia, battles a brother who questions her choices, and endures the criticism of a surly teenager. Filled with a very real, very personal cast of characters, Scream is an intimate, scorching memoir rife with the humor, insight, and experience of a writer with a surgeon's eye for detail, and a skill for cutting straight to the strangest parts of life
Was trägt der Kannibale in Manhattan? Unterm Pelzmantel lediglich den Flaschenkürbis, einen Hundezahngürtel und das Halsband aus menschlichen Kieferknochen. Was ißt der Kannibale beim Picknick in Manhattan? Weintrauben, Zuckergußtorte mit Mandarinenscheibchen, tranchierte Brathähnchen und Bounty-Riegel. Der Kannibale in Manhattan ist einfach gut drauf.
