Edward Lucie Smith Livres

This lavishly illustrated book, the first of its kind, delves into the vast and vibrant American realist tradition. Sixteen diverse sections showcase the finest works from various groups, schools, and periods, starting before the Revolutionary War and covering movements like American Impressionism, the Ashcan School, Precisionism, Urban Realism, and Photorealism, extending to contemporary Postmodern Realism. The text provides compelling evidence that the American realist legacy holds a unique place in global art. In this critical synthesis, Edward Lucie-Smith examines the pioneering masters of American realism, including Thomas Eakins, Mary Cassatt, and Edward Hopper. He also highlights contemporary realist painters who have recently gained recognition, such as Isabel Bishop and Alice Neel, alongside established figures like Wayne Thiebaud and Leon Golub, whose contributions are now being fully appreciated. The narrative includes emerging artists like Eric Fischl and Jeff Koons, who have achieved significant acclaim within this innovative tradition. The book traces the evolution of American realism to the present day, illustrating its continued vitality. With over one hundred color plates, this magnificent volume celebrates and illuminates the enduring power of a remarkable American legacy.

A history of architecture, painting, sculpture and photography for each decade in the twentieth century - Gauguin - Cult of the Primitive - Van Gogh - Rodin - Klimt - Picasso - Rousseau - Fauves - Matisse - Cubism - Pictorialism - Andres Serrano - Cindy Sherman - Jeff Koons - Franz Marc

Edward Lucie-Smith is probably the best-known author in his field internationally respected for the breadth of his sympathies, for the clarity and directness of his writing on art, and for his ability to make complex contemporary developments accessible to a wide audience. He brings all of his talents to bear in this book, which is a wonderful compendium of erotic art and literature, selected by, and commented on by the world's leading authority on the subject.Edward Lucie-Smith is probably the best-known author in his field internationally respected for the breadth of his sympathies, for the clarity and directness of his writing on art, and for his ability to make complex contemporary developments accessible to a wide audience. He brings all of his talents to bear in this book, which is a wonderful compendium of erotic art and literature, selected by, and commented on by the world's leading authority on the subject.

The book explores a unique series of ambiguous drawings that serve as a meditative sequence, reflecting the artist's personal dreams and fantasies for private contemplation. These works mark a significant psychological advancement, linking them to the late self-portraits of Rembrandt and the Surrealist movements of artists like Salvador Dalì and Max Ernst. Edward Lucie-Smith's text contextualizes this pioneering exhibition, reconstructing Goya's dispersed album and examining contemporary perspectives on the self during its formative moments.

The definitive overview of the richest, most controversial and perhaps most thoroughly confusing epoch in the whole history of the visual arts: the period from 1960 to the present

The eclectic, international style now known as Art Deco originally took its name from the 1925 Paris 'Exposition Internationale des Arts Decoratifs et Industriels Modernes'. The style was all-pervasive during the 1920s and 30s, affecting the decorative arts, fine arts and fashion. This is the first book specifically to examine Art Deco painting and to define it as a genre. Edward Lucie-Smith analyses the characteristics of the style, period and history of the movement, explaining its relationship to Classicism, the Symbolists, the Precisionists, Cubism and photography. He discusses the frequent use of classical imagery, the importance of society portraiture and the lure of decorative exoticism. French, American, Russian, British and Italian painters, who are all represented here, were attracted as much to the skyscraper and automobile as they were to the classical nude. The result was a remarkable mix of traditional and modern as seen in this selection by such artists as Tamara de Lempicka, Jean Dupas and Glyn Philpot.

What exactly is neoexpressionism? the difference between applique and appliqué? the part of a city known as the acropolis? or the painting technique called gouache? In this authoritative and concise dictionary, more than 2,000 entries embrace the vast vocabulary of painting and sculpture, architecture and photography, and the decorative, applied, and graphic arts. The hundreds of illustrations and diagrams play a vital role as information: art movements become immediately recognizable by a representative painting, and the defining features of each order of architecture are identifiable at a glance.This revised edition features a substantial number of new entries, including today's influential artist groups and tendencies from Chicano art to gene art, and new terms connected with the use of computer technology in the art world, from digital image to pixel.

A classic introduction to art since the end of the Second World War, Movements in Art Since 1945 tells the story of art across all forms of media over the past seventy-five years. Revised and redesigned for the first time since 2001, this standard introduction to visual art in the postwar era examines the movements, trends, and artists from abstract expressionism to the present day. Writing with exceptional clarity and a strong sense of narrative, Edward Lucie- Smith demystifies the work of dozens of artists and reveals how the art world has interacted with social, political, and environmental concerns. This book includes detailed coverage of major developments within the artistic community, such as pop art, conceptual and performance work, neo-expressionism, and minimalist art across the globe, including Asia, Africa, and Latin America. A new chapter on art since 2000 includes discussions of work by Banksy and Ai Weiwei, as well as recent trends in art from Russia and Eastern Europe. Featuring nearly 300 images of key artworks that range from graffiti from 1980s New York to contemporary painting from China, this updated edition of Movements in Art Since 1945 is as global in its reach as art has become in the twenty-first century.