Hisham Matar Livres

"Hisham Matar was nineteen when his father was kidnapped and taken to prison in Libya. He would never see him again. Twenty-two years later, the fall of Gaddafi meant he was finally able to return to his homeland. In this moving memoir, the author takes us on an illuminating journey, both physical and psychological; a journey to find his father and rediscover his country. The Returnis at once a universal and an intensely personal tale. It is an exquisite meditation on how history and politics can bear down on an individual life. And yet Hisham Matar's memoir isn't just about the burden of the past, but the consolation of love, literature and art. It is the story of what it is to be human."

SHORTLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NON-FICTION SHORTLISTED FOR THE COSTA BIOGRAPHY AWARD SHORTLISTED FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD FOR AUTOBIOGRAPHY WINNER OF THE SLIGHTLY FOXED BEST FIRST BIOGRAPHY PRIZE ONE OF THE NEW YORK TIMES' TOP 10 BOOKS OF 2016 The Return is at once a universal and an intensely personal tale. It is an exquisite meditation on how history and politics can bear down on an individual life. And yet Hisham Matar's memoir isn't just about the burden of the past, but the consolation of love, literature and art. It is the story of what it is to be human. Hisham Matar was nineteen when his father was kidnapped and taken to prison in Libya. He would never see him again. Twenty-two years later, the fall of Gaddafi meant he was finally able to return to his homeland. In this moving memoir, the author takes us on an illuminating journey, both physical and psychological; a journey to find his father and rediscover his country.

Shortly after completing his searing work of non-fiction, The Return, Hisham Matar set off for Siena, a city he had never visited before. His plan was to see the paintings of the Sienese school, to immerse himself in the work of artists he admired perhaps above all others. This month in Siena would be an extraordinary period in the life of this writer- an immersion in art, a consideration of grief and violence, an intimate encounter with the city and its inhabitants. Hisham Matar's short book is the story of how art can console and disturb in equal measure. It is a profoundly moving contemplation of the relationship between art and the human condition.

Shortlisted for both the Man Booker Prize and the Guardian First Book Award, and published here as a Penguin Essential for the first time. Nine-year-old Suleiman is just awakening to the wider world beyond the games on the hot pavement outside his home and beyond the loving embrace of his parents. He becomes the man of the house when his father goes away on business, but then he sees his father, standing in the market square in a pair of dark glasses. Suddenly the wider world becomes a frightening place where parents lie and questions go unanswered. Suleiman turns to his mother, who, under the cover of night, entrusts him with the secret story of her childhood.

Nine-year-old Suleiman is just awakening to the wider world beyond games on the hot pavement outside his home beyond the loving embrace of his parents. He becomes the man of the house when his father goes away on business - but then he sees his father, standing in the market square in a pair of dark glasses. Suddenly the wider world becomes a frightening place where parents lie and questions go unanswered. In his father's worrying absence, Suleiman turns to his mother, who, under the cover of night, entrusts him with the secret story of her childhood. And, as lies and fears intensify, it feels as if the walls of Suleiman's home will break with the secrets held within it.

Nuri is a young boy when his mother dies. It seems that nothing will fill the emptiness her strange death leaves behind. Until Mona. When Nuri first sees Mona, the rest of the world vanishes. But it is Nuri's father with whom Mona falls in love and whom she will eventually marry. Their happiness consumes Nuri to the point at which he longs to get his father out of the way. However, Nuri will soon regret what he wished for. As the world he shares with his stepmother is shattered by events beyond their control, they both begin to realize how little they really knew about the man they loved. In a delicately wrought and beautifully tender voice, Hisham Matar's extraordinary new novel asks, When a loved one disappears how does his or her absence shape the lives of those who are left?

A masterful, intensely moving novel about three friends living in political exile and the emotional homeland that deep friendships can provide - from the Booker-shortlisted, Pulitzer prize-winning author of THE RETURNKhaled and Mustafa meet at university in two Libyan eighteen-year-olds expecting to return home after their studies. In a moment of recklessness and courage, they travel to London to join a demonstration in front of the Libyan embassy. When government officials open fire on protestors in broad daylight, both friends are wounded, and their lives forever changed.Over the years that follow, Khaled, Mustafa and their friend Hosam, a writer, are bound together by their shared history. If friendship is a space to inhabit, theirs becomes small and inhospitable when a revolution in Libya forces them to choose between the lives they have created in London and the lives they left behind.'I have always admired Matar's tender and compassionate but equally strong and compelling voice' Elif Shafak

Ausgezeichnet mit dem Pulitzerpreis und dem Geschwister-Scholl-Preis »Ein literarischer Essay über Familie, Verlust und Trauer - und schon jetzt eines der herausragenden Bücher des Jahres.« Jobst-Ulrich Brand, Focus Hisham Matar wuchs als Kind in Libyen auf, doch die Diktatur unter Gaddafi hat seine Familie früh zerstört. Er selbst lebt seit langem in England, sein Vater wurde in das berüchtigtste Gefängnis von Libyen verschleppt. In dem kurzen Zeitfenster nach Gaddafis Sturz und vor dem neuen Bürgerkrieg kehrt Hisham Matar in seine Heimat zurück, um endlich vor Ort nach seinem Vater zu suchen. Sein Buch ist ein bewegendes Dokument. Ausstattung: Pepper: Ausgezeichnet mit dem Pulitzerpreis

Nel marzo del 2012 Hisham Matar s'imbarca su un volo per la Libia. È il suo primo ritorno dopo trentatre anni nella terra color ruggine, giallo e verde intenso della sua infanzia, la terra che lo ha separato dal padre la notte del 1990 in cui Jaballa Matar venne sequestrato dal regime di Gheddafi, condotto nella terribile prigione di Abu Salim e poi fatto sparire. Il figlio Hisham ci accompagna in un viaggio lucido e struggente attraverso i luoghi di una memoria privata che è anche fardello collettivo di una nazione, alla ricerca di un padre perennemente vivo e morto al quale restituire almeno la certezza di un destino. Hisham Matar ha diciannove anni quando suo padre Jaballa, fiero oppositore del regime di Muammar Gheddafi, viene sequestrato nel suo appartamento del Cairo, rinchiuso nella famigerata prigione libica di Abu Salim e fatto sparire per sempre. Ventidue anni piú tardi il figlio Hisham, che non ha mai smesso di cercarlo, può approfittare dello sprazzo di speranza aperto dalla rivoluzione del febbraio 2011 per fare finalmente ritorno nella terra della sua infanzia felice. Quel viaggio verso un presente ormai sconosciuto non è che lo spunto per un itinerario storico e affettivo ben più vasto. Visitando i luoghi e incontrando i parenti e gli amici che hanno condiviso con Jaballa decenni di prigionia nel «nobile palazzo» di Abu Salim, Hisham può recuperare un passato che risuona in lui con un'eco mai sopita e ritagliare i contorni di un padre che, in assenza di un corpo, risulta privo di confini. Le tappe del viaggio privato s'intersecano con la storia libica del ventesimo secolo, dalla resistenza all'occupazione italiana al flirt di Gheddafi con l'Inghilterra di Tony Blair. Ma anche all'antro più buio, all'orrore più raccapricciante, segue, in queste pagine, la luce di un dipinto di Manet, la melodia di un alam: la consolazione dell'arte e della bellezza come autentica espressione dell'uomo. E anche quando della speranza di ritrovare un padre vivo «non rimangono che granelli sparsi», lo sguardo di Matar continua a puntare risolutamente in avanti: «Mio padre è morto ed è anche vivo. Non possiedo una grammatica per lui. È nel passato, nel presente e nel futuro. Ho il sospetto che anche coloro che hanno sepolto il proprio padre provino la stessa cosa. Io non sono diverso. Vivo, come tutti viviamo, nell'indomani».