Dario Fo Livres

Une autobiographie loufoque par l'un des dramaturges les plus insolents de notre époque, prix Nobel de littérature. Entre récit et roman picaresque, Le pays des Mezaràt relate les sept premières années du prix Nobel de littérature italien et un petit " supplément ". Avec sa drôlerie et son ironie habituelles, Dario Fo plante son décor sur la rive italienne du lac Majeur, dans le village des Mezaràt (" Chauves-souris " en dialecte lombard), et propulse sur la scène des personnages hauts en couleur : un père cheminot, antifasciste, un grand-père horticulteur pour le moins truculent, une mère sensitive, un comte vengeur enroulé dans une cape de calife, une jeune beauté du nom de Néfertiti aux prises avec la mafia locale, des souffleurs de verre, des contrebandiers et des pêcheurs qui vivent la nuit, comme les chauves-souris, et racontent des histoires folles et comiques. C'est dans ce monde surréaliste où les toits des maisons suisses semblent faits en chocolat et les statues pseudo-antiques s'entretuent par amour, que le jeune Dario apprendra son métier.

Brings together three major political plays, Accidental Death of an Anarchist, Mistero Buffo and Trumpets and Raspberries, along with two previously unpublished short farces - The Virtuous Burglar and One was Nude and One Wore Tails.

A triumphant transformation of mediaeval mystery plays into radical political theatre

In its first two years of production, Dario Fo's controversial farce, Accidental Death of an Anarchist, was seen by over half a million people. It has since been performed all over the world and is widely recognised as a classic of modern drama. A sharp and hilarious satire on political corruption, it concerns the case of an anarchist railway worker who, in 1969, 'fell' to his death from a police headquarters window.This version of the play was premiered in London in 2003.Commentary and notes by Joseph Farrell.Content: Dario Fo Plot Commentary Further reading Accidental death of an anarchist NotesQuestions for further study.

In a unique first-person monologue, the story reimagines Christopher Columbus's voyage through the eyes of Johan Padan, a reluctant crew member tasked with cleaning pig stalls. His unexpected journey leads him to be adopted by a Native American tribe, where he aids them against the conquistadors. This vivid retelling blends subversive comedy with linguistic play, creating an alternate history that challenges traditional narratives about race, gender, and the interplay of history and humor.

These fables spark the imagination, challenge the conscience, and delight the soul. Greed and corruption are Fo's irreverent subjects for this satirical Fellini-esque provocation. Fo convenes courtiers, popes, cardinals, generals, peasants and one man who despite his own earthly appetites and desires becomes a saint.

"Lucrezia Borgia is one of the most vilified figures in modern history. The daughter of a notorious pope, she was twice betrothed before the age of eleven and thrice married--one husband was forced to declare himself impotent and thereby unfit and another was murdered by Lucrezia's own brother, Cesar Borgia. She is cast in the role of murderess, temptress, incestuous lover, loose woman, femme fatale par excellence. But there is always more than one version of a story. Lucrezia Borgia is the only woman in history to serve as the head of the Catholic Church. She successfully administered several of the Renaissance Italy's most thriving cities, founded one of the world's first credit unions, and was a generous patron of the arts. She was mother to a prince and to a cardinal. She was a devoted wife to the Prince of Ferrara, and the lover of the poet Pietro Bembo. She was a child of the renaissance and in many ways the world's first modern woman."--jacket flap.

Photographs of breasts are everywhere: in museums, on book covers, in fashion ads, and on posters. Alluring symbols of womanhood, breasts have fascinated generations of image makers. Here, for the first time between two covers, is the breast in photography: the titillating breast, the maternal breast, the aging breast, and the symbolic breast.

Nachw. v. Jungblut, Helga ; Chotjewitz, Peter O. 94 S. N.-A.