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Steven Galloway

    13 juillet 1975

    L'écriture de Steven Galloway explore les complexités des relations humaines et les dilemmes moraux, souvent dans des contextes historiques dramatiques. Son style se caractérise par une perspicacité profonde de la psychologie des personnages et un récit captivant qui immerge le lecteur. Avec précision et compassion, il explore comment les individus font face à l'adversité et les sacrifices qu'ils font pour survivre et préserver l'humanité. Ses œuvres offrent de profondes réflexions sur la nature du bien et du mal.

    Steven Galloway
    Der Illusionist
    Ascension
    The Cellist of Sarajevo
    • The Cellist of Sarajevo

      • 227pages
      • 8 heures de lecture
      4,1(1572)Évaluer

      Tense and heartbreaking to its last page, 'The Cellist of Sarajevo' shows how life under seige creates impossible moral choices. When the everyday act of crossing the street can risk lives, the human spirit is revealed in all its fortitude - and frailty.

      The Cellist of Sarajevo
    • Ascension

      • 277pages
      • 10 heures de lecture
      3,6(20)Évaluer

      "It is the summer of 1976 and Salvo Ursari, a man of retirement age, is walking on a taut wire strung between the twin towers of New York's World Trade Centre, almost 1400 feet above the city. It is the most challenging performance of his life. Far below him in the gaping crowd stands his wife, Anna, to whom he has made a solemn promise: this wire walk will end his career. As a boy growing up in Transylvania, Salvo Ursari is haunted and inspired by the gypsy folklore that forms his heritage. When a tragic fire that envelops his entire family, Salvo is forced to flee his village and begin a lifetime's odyssey that takes him through the Transylvanian forests, to the streets Budapest - where he first learns the skills of a wire-walker - and eventually to the United States during the heyday of the Big Top."--Provided by publisher.

      Ascension
    • Erzählern ist zuweilen nicht zu trauen. Besonders wenn sie, wie Martin Strauss, an einer seltenen neurologischen Krankheit leiden, an der sogenannten Konfabulation: Konfabulierende sind Menschen, die objektiv falsche Dinge erzählen, in der festen Überzeugung, dass sie wirklich genau so geschehen sind. Und so ist Martin Strauss fest davon überzeugt, dass er den weltbekannten Magier und Illusionskünstler Harry Houdini nicht nur sehr gut kannte, sondern ihn sogar tötete …

      Der Illusionist