Cynthia Ozick tisse dans ses œuvres les riches fils de la tradition juive et de l'expérience américaine, les explorant avec une profonde perspicacité et précision. Son travail, souvent imprégné de profondeur intellectuelle et d'un sens aigu de l'ironie, dévoile la tension persistante entre la modernité et la foi durable. Ozick capture magistralement les complexités de l'esprit humain et la recherche de sens dans un monde agité. Sa prose distinctive est célébrée pour son art littéraire et son pouvoir d'évoquer des émotions profondes ainsi que des pensées critiques.
" Aussi musicienne que Proust, par son sens des images et des suggestions continues(...) elle sait concentrer en quelques phrases le pervers et le ridicule d'un personnage ". J. M. de Montrémy La Croix " Cynthia Ozick peuple les rues de ses villes de survivants (...) ils ont perdu les racines de leur passé, parce qu'ils ont perdu la langue. Mais ils ne peuvent pas adhérer au présent. Ils ont émigré de la réalité. " Cécile Wajsbrot, Le Magazine Littéraire.
From the winner of the National Book Critics Circle Award comes a story about the Holocaust that "burns itself into the reader's imagination with almost surreal powers" (The New York Times). "Read this great little book of Cynthia Ozick's: It contains dazzling staggering pages filled with sadness and truth." —Elie Wiesel, Chicago Tribune A devastating vision of the Holocaust and the unfillable emptiness it left in the lives of those who passed through it.
Ozick is a kind of narrative hypnotist. Her range is extraordinary; there is seemingly nothing she can't do. Her stories contain passages of intense lyricism and brilliant, hilarious, uncontainable inventiveness.
Yearning for a life of the mind, Ruth Puttermesser finds herself mired in the lowest circles of city bureaucracy. Her love life hopeless, her fantasies more influential than wan reality, she nevertheless turns out to be the best mayor New York City has ever elected. Soon enough, though, paradise gained becomes paradise lost, and--even for a wistful visionary like Puttermesser--the problem of disappointment remains unresolved.
"From one of our most pre eminent writers, a tale that captures the shifting meanings of the past, and how our experience colors those meanings. Lloyd Wilkinson Petrie, one of the seven surviving trustees of the now defunct (for 34 years) Temple Academy for Boys, is preparing a memoir of his days at the school, intertwined with a description of present events. As he navigates, with faltering recall, between the subtle anti-semitism that pervaded the school's ethos and his fascination with his own family history-in particular, his illustrious cousin, the renowned archaeologist Sir Flinders Petrie (check out his Wikipedia entry!), the source of his interest in antiquity-he reconstructs the story of his encounter from his school days with a younger student named Ben-Zion Elefantin, who seems to belong to a lost ancient Jewish sect. From this seed emerges one of Ozick's most wondrous tales, one that displays her delight in Jamesian irony and the mythical flavor of a Kafka parable, woven into her own distinct voice"--
A Brilliant novel... The Messiah of Stockholm is a worthy companion to Philip
Roth's superb Prague Orgy... A complex and fascinating meditation on the
nature of writing and the responsibilities of those who choose to create - or
judge - tales. - Harold Bloom, New York Times
The Bear Boy is a story specific to time and place, and about the dislocation of time and place too. It is set in 1935 at the only moment in history when the idea of socialism flickered to life in the United States, when Jewish intellectuals were fleeing out of the country where they were once respected writers and professors, and when a great many people were equal to each other in that the most had little material wealth.The oversize Mitwisser clan are German refugees who survive at the whim of their vagabond benefactor, James Albair. James is heir to the fortune amassed by his father, the author of a wildly popular series of children's books called The Bear Boy. Wayward, feckless and with money to burn, James has taken up the eccentric Mitwissers - scholarly patriach, invalid wife, and five scrappy children - as his latest caprice.
Four stories of comedy, deception, and revenge, including one previously unpublished, from the acclaimed author of Heir to the Glimmering World.Cynthia Ozick’s new work of fiction brings together four long stories that showcase this incomparable writer’s sly humor and piercing insight into the human heart. Each starts in the comic mode, with heroes who suffer from willful self-deceit. These not-so-innocents proceed from self-deception to deceiving others, who do not take it lightly. Revenge is the consequence -- and for the reader, a delicious, if dark, recognition of emotional truth.The glorious new novella “Dictation” imagines a fateful meeting between the secretaries to Henry James and Joseph Conrad at the peak of their fame. Timid Miss Hallowes, who types for Conrad, comes under the influence of James’s Miss Bosanquet, high-spirited, flirtatious, and scheming. In a masterstroke of genius, Ozick hatches a plot between them to insert themselves into posterity.Ozick is at her most devious, delightful best in these four works, illuminating the ease with which comedy can glide into calamity.
