Vivian Gornick est une auteure dont les œuvres offrent des aperçus pénétrants de la psyché humaine et des dynamiques sociales. Son écriture explore souvent des thèmes tels que l'identité, l'amour et la quête de sens dans le monde moderne. Avec une capacité singulière à capturer les complexités de l'émotion et de l'expérience humaines, Gornick captive les lecteurs par son style franc et réfléchi. Ses essais et ses mémoires offrent de profondes méditations sur la vie qui résonnent avec les désirs et les dilemmes humains universels.
Now back in print after its initial publication in 1977 and with a new introduction by the author, [this book] is a landmark work of new journalism, profiling American Communist Party members and fellow travelers as they joined the Party, lived within its orbit, and left in disillusionment and disappointment as Stalin's crimes became public--Bac
Seven seminal essays addressing loneliness, friendship and feminism, written in Gornick's inimitable voice, this collection has never been published in Australia.
A beloved and intimate story of a conflicted relationship between mother and daughter by a masterful and unique writer.
One of our most vital and incisive writers on literature, feminism, and knowing one's self For nearly fifty years, Vivian Gornick's essays, written with her characteristic clarity of perception and vibrant prose, have explored feminism and writing, literature and culture, politics and personal experience. Drawing writing from the course of her career, Taking a Long Look illuminates one of the driving themes behind Gornick's work: that the painful process of understanding one's self is what binds us to the larger world. In these essays, Gornick explores the lives and literature of Alfred Kazin, Mary McCarthy, Diana Trilling, Philip Roth, Joan Didion, and Herman Melville; the cultural impact of Silent Spring and Uncle Tom's Cabin; and the characters you might only find in a New York barber shop or midtown bus terminal. Even more, Taking a Long Look brings back into print her incendiary essays, first published in the Village Voice, championing the emergence of the women's liberation movement of the 1970s. Alternately crackling with urgency or lucid with insight, the essays in Taking a Long Look demonstrate one of America's most beloved critics at her best.
Focusing on Elizabeth Cady Stanton's profound impact on the women's suffrage movement, this biographical essay by Vivian Gornick highlights her role as a leading feminist thinker of the nineteenth century. Stanton's philosophical insights and commitment to equality reflect a distinctly American approach to women's rights. Through her writings and activism, she embodies the essence of feminism as a liberation movement, illustrating why it has thrived in the United States more than anywhere else globally.
Gornick on V. S. Naipaul, James Baldwin, George Gissing, Randall Jarrell, H. G. Wells, Loren Eiseley, Allen Ginsberg, Hayden Carruth, Saul Bellow, and Philip Roth and the intimate relationship between emotional damage and great literature.
A guide to the art of personal writing, by the author of Fierce Attachments and The End of the Novel of LoveAll narrative writing must pull from the raw material of life a tale that will shape experience, transform event, deliver a bit of wisdom. In a story or a novel the "I" who tells this tale can be, and often is, an unreliable narrator but in nonfiction the reader must always be persuaded that the narrator is speaking truth.How does one pull from one's own boring, agitated self the truth-speaker who will tell the story a personal narrative needs to tell? That is the question The Situation and the Story asks--and answers. Taking us on a reading tour of some of the best memoirs and essays of the past hundred years, Gornick traces the changing idea of self that has dominated the century, and demonstrates the enduring truth-speaker to be found in the work of writers as diverse as Edmund Gosse, Joan Didion, Oscar Wilde, James Baldwin, or Marguerite Duras.This book, which grew out of fifteen years teaching in MFA programs, is itself a model of the lucid intelligence that has made Gornick one of our most admired writers of nonfiction. In it, she teaches us to write by teaching us how to read: how to recognize truth when we hear it in the writing of others and in our own.
Tells the story of a modern radical who took seriously the idea that inner liberation is the first business of social revolution. This title draws an intimate and insightful portrait of a woman of heroic proportions whose performance on the stage of history did what Tolstoy said a work of art should do: it made people love life more.
"A memoir of self-discovery and the dilemma of connection in our time, The Odd Woman and the City explores the rhythms, chance encounters, and ever-changing friendships of urban life that forge the sensibility of a fiercely independent woman who has lived out her conflicts, not her fantasies, in a city (New York) that has done the same." --
