Cynthia A. Freeland est une philosophe spécialisée en esthétique et en cinéma. Son œuvre enquête sur la manière dont les films façonnent nos perceptions et nos pensées, explorant souvent les questions philosophiques inhérentes à l'art cinématographique. Freeland analyse le langage visuel du film et sa capacité à évoquer des émotions et des idées chez le spectateur. Son approche mêle l'interrogation philosophique à une profonde compréhension de la création cinématographique.
Exploring the horror genre, Cynthia A. Freeland analyzes key films to challenge the common disdain and moral criticism associated with it. She argues that these works provide profound philosophical insights into the nature of evil, encompassing both human and cosmic dimensions. By highlighting the genre's capacity for deep reflection, Freeland invites readers to reconsider the significance of horror in understanding moral complexities.
In today's art world many strange, even shocking, things qualify as art. In this critically acclaimed study, Cynthia Freeland offers a provocative and clear explanation of why innovation and controversy are valued in the arts, weaving together philosophy and art theory with many fascinating examples. Providing an accessible introduction to a wide range of theories, artists, and works, Freeland explains why challenging our perceptions is, and always has been, central to the whole endeavour of art. The result is an invaluable introduction to the key debates surrounding our response to art.
Explains why innovation and controversy are valued in the arts, bringing together philosophy, art theory, and many examples. This work discusses blood, beauty, culture, money, sex, web sites, and research on the brain's role in perceiving art. It is suitable for the public, introductory students, and teachers in the arts. schovat popis
Una introducción a la teoría del arte